CUSHING — The Tulsa World reports that a 97-year-old Payne County man was charged Friday with fatally shooting his great-granddaughter at their home.
Russell Eugene Dawes told a deputy on Thursday that he “got tired of her carrying on and I shot her,” according to an affidavit filed in Payne County District Court on Friday.
The affidavit says Dawes was the grandfather of the victim, 30-year-old Sonja James, but both Payne County District Attorney Tom Lee and Dawes’ attorney Cheryl Ramsey said he was her great-grandfather. Read the rest of this story at TulsaWorld.com.
Where Did The Term “Happy Hour” Come From?
There’s nothing better after a hard day’s work than kicking back with some friends and downing a few cocktails. For bars, pubs, and restaurants, the practice of happy hour specials—typically held between the hours of 4pm and 8pm—has become a commonplace way to boost sales on slow weekdays and to let their customers relax to make them “happy” before dinner. But the concept of the “Happy Hour” isn’t merely a marketing strategy, and the history of hitting the sauce at half price has a surprisingly strong—if not varied—connection to American history.
Happy hour these days is clearly linked to getting slightly intoxicated without making too big a dent in your wallet, but the term itself comes from American Naval slang in the 1920s following the First World War. A “Happy Hour” was an allotted period of time on a ship where sailors engaged in various forms of entertainment to relieve the monotonies of the seafaring life. Most of the time, this meant wrestling or boxing matches, but it still could include other athletic activities intending to boost morale.
At the same time, the U.S. was going through the darkest—not to mention driest—period in the history of getting hammered: Prohibition, the failed experiment given legal standing by the infamous Volstead Act. From 1920 to 1933, the manufacture, transport, and sale of certain intoxicating beverages was prohibited. (Sacramental wines and cider fermented by farmers were given exemptions.)
But instead of abiding by the newly enacted teetotal tenet, Americans became as alcoholic as ever, and would gather together in secret speakeasies or at home to consume some tantalizingly illegal cocktails to wet their whistle before dinner. “Happy Hour” as an expression was soon picked up, either directly or secondhand, from the Naval slang and merged to describe these outlawed gatherings.
Though Prohibition was later repealed, the concept stuck around. Some think that aSaturday Evening Post article from 1959 that mentioned the happy hour in regards to military life introduced the expression to the public, but other sources, like the OED, cite later examples—such as a 1961 Providence Journal article referencing Newport policemen “deprived of their happy hour at the cocktail bar”—as informally spreading it into the general vernacular over time. Eventually, in the ’70s and ’80s, it was co-opted by the service industry as the food and drink specials we know today.
The happy hour isn’t a universal concept, however. Currently, 23 states have banned restaurants and bars from selling “alcoholic beverages during a fixed period of time for a fixed price,” including Massachusetts, which was the first state to do so, in 1984—no small feat when you consider that Boston was recently named the drunkest city in America. Yet some states, like Pennsylvania—which extended the minimum happy hour period to four hours in 2011—encourage a restaurant’s ability to schedule their specials however they please. Internationally, the happy hour was banned in Ireland and very specific restrictions were put in place in the rest of the UK in an effort to curb culturally acceptable binge drinking, while in Canada the term “Happy Hour” in regards to drink specials is banned inOntario [PDF], and in Alberta regulations strictly limit drink prices and happy hours until 8pm.
December 6, 2013 – 9:30am
–brought to you by mental_floss!
WOODIE GUTHRIE SONGS
Woodrow Wilson Guthrie was born on July 14, 1912, in Okemah, Oklahoma. He was the second-born son of Charles and Nora Belle Guthrie. His father – a cowboy, land speculator, and local politician – taught Woody Western songs, Indian songs, and Scottish folk tunes. His Kansas-born mother, also musically inclined, had an equally profound effect on Woody.
Slightly built, with an extremely full and curly head of hair, Woody was a precocious and unconventional boy from the start. Always a keen observer of the world around him, the people, music and landscape he was exposed to made lasting impressions on him.
During his early years in Oklahoma, Woody experienced the first of a series of immensely tragic personal losses. With the accidental death of his older sister Clara, the family’s financial ruin, and the institutionalization and eventual loss of his mother, Woody’s family and home life was forever devastated.
In 1920, oil was discovered nearby and overnight Okemah was transformed into an “oil boom” town, bringing thousands of workers, gamblers and hustlers to the once sleepy farm town. Within a few years, the oil flow suddenly stopped and Okemah suffered a severe economic turnaround, leaving the town and its inhabitants “busted, disgusted, and not to be trusted.”
From his experiences in Okemah, Woody’s uniquely wry outlook on life, as well as his abiding interest in rambling around the country, was formed. And so, he took to the open road.
THE GREAT DUST BOWL (1931-1937)
In 1931, when Okemah’s boomtown period went bust, Woody left for Texas. In the panhandle town of Pampa, he fell in love with Mary Jennings, the younger sister of a friend and musician named Matt Jennings. Woody and Mary were married in 1933, and together had three children, Gwen, Sue and Bill.
It was with Matt Jennings and Cluster Baker that Woody made his first attempt at a musical career, forming The Corn Cob Trio and later the Pampa Junior Chamber of Commerce Band. It was also in Pampa that Woody first discovered a love and talent for drawing and painting, an interest he would pursue throughout his life.
If the Great Depression made it hard for Woody to support his family, the onslaught of the Great Dust Storm period, which hit the Great Plains in 1935, made it impossible. Drought and dust forced thousands of desperate farmers and unemployed workers from Oklahoma, Kansas, Tennessee, and Georgia to head west in search of work. Woody, like hundreds of “dustbowl refugees,” hit Route 66, also looking for a way to support his family, who remained back in Pampa.
Moneyless and hungry, Woody hitchhiked, rode freight trains, and even walked his way to California, taking whatever small jobs he could. In exchange for bed and board, Woody painted signs and played guitar and sang in saloons along the way, developing a love for traveling the open road-a lifelong habit he would often repeat.
KFVD RADIO YEARS (1937-1940)
By the time he arrived in California in 1937, Woody had experienced intense scorn, hatred, and even physical antagonism from resident Californians, who opposed the massive migration of the so-called “Okie” outsiders.
In Los Angeles Woody landed a job on KFVD radio, singing “old-time” traditional songs as well as some original songs. Together with his singing partner Maxine Crissman, aka “Lefty Lou,” Woody began to attract widespread public attention, particularly from the thousands of relocated Okies gathered in migrant camps. Living in makeshift cardboard and tin shelters, Woody’s program provided entertainment and a nostalgic sense of the “home” life they’d left behind; despite their desperate circumstances, it was a respite from the harsh realities of migrant life.
The local radio airwaves also provided Woody a forum from which he developed his talent for controversial social commentary and criticism. On topics ranging from corrupt politicians, lawyers, and businessmen to praising the compassionate and humanist principles of Jesus Christ, the outlaw hero Pretty Boy Floyd, and the union organizers that were fighting for the rights of migrant workers in California’s agricultural communities, Woody proved himself a hard-hitting advocate for truth, fairness, and justice.
Woody strongly identified with his audience and adapted to an “outsider” status, along with them. This role would become an essential element of his political and social positioning, gradually working its way into his songwriting; “I Ain’t Got No Home”, “Goin’ Down the Road Feelin’ Bad”, “Talking Dust Bowl Blues”, “Tom Joad” and “Hard Travelin’”; all reflect his desire to give voice to those who had been disenfranchised.
NEW YORK TOWN (1940-1941)
Never comfortable with success, or being in one place for too long, Woody headed east for New York City, arriving in 1940. He was quickly embraced for his Steinbeckian homespun wisdom and musical “authenticity” by leftist organizations, artists, writers, musicians, and progressive intellectuals. That same year, folklorist Alan Lomax recorded Woody in a series of conversations and songs for the Library of Congress in Washington, DC. Woody also recorded “Dust Bowl Ballads” for RCA Victor, his first album of original songs, and throughout the 1940s he continued to record hundreds of discs for Moses Asch, founder of Folkways Records. The recordings from this early period continue to be touchstones for folk music singer-songwriters everywhere.
In New York City, Lead Belly, Cisco Houston, Burl Ives, Pete Seeger, Will Geer, Sonny Terry, Brownie McGhee, Josh White, Millard Lampell, Bess Hawes, Sis Cunningham, among others, all became Woody’s close friends and musical collaborators. Forming a loosely knit folk group called The Almanac Singers, they took up social causes such as union organizing, anti-Fascism, strengthening the Communist Party, peace, and generally fighting for the things they believed in the best way they could: through songs of political protest and activism. Woody became one of the prominent songwriters for the Almanac Singers.
The Almanacs helped to establish folk music as a viable commercial genre within the popular music industry. A decade later, original members of the Almanacs would re-form as the Weavers, the most commercially successful and influential folk music group of the early 1950s. It was through their tremendous popularity that Woody’s songs would become known to the larger public.
With increasing popularity, prosperity and critical success from public performances, recordings, and even his own radio show, Woody could afford to bring his struggling family to New York to enjoy his new found success.
COLUMBIA RIVER (1941)
Despite his success, Woody became increasingly restless and disillusioned with New York’s radio and entertainment industry. Feeling the heat of censorship he wrote: “I got disgusted with the whole sissified and nervous rules of censorship on all my songs and ballads, and drove off down the road across the southern states again.”
Leaving New York, with his wife and three young children in tow, Woody headed out to Portland, Oregon where a documentary film project about the building of the Grand Coulee Dam sought to use his songwriting talent. The Bonneville Power Administration placed Woody on the Federal payroll for a month and there he composed the Columbia River Songs, another remarkable collection of songs that include “Roll on Columbia,” “Grand Coulee Dam,” and “The Biggest Thing That Man Has Done.” When his contract expired, Woody moved his family back to Pampa, Texas.
Hoping to get back to New York City, and on the radio, he hitchhiked his way across the country. Woody’s constant traveling, performing, and lack of regular work throughout the early 1940s took a hard toll on his family. Together with his increasing interest and involvement with progressive “radical” politics helped bring about the end of his first marriage.
WORLD WAR II (1942-1945)
Back in New York, Woody met and courted a young dancer with the Martha Graham Dance Company named Marjorie (Greenblatt) Mazia. Sharing humanist ideals and activist politics, Woody and Marjorie were married in 1945 and over the years had four children: Cathy, (who died at age four in a tragic home fire), Arlo, Joady, and Nora.
This relationship provided Woody a level of domestic stability and encouragement which he had previously not known, enabling him to turn out a staggering number of original songs, writings, drawings, paintings, poems and prose pieces. His first novel, Bound for Glory , a semi-autobiographical account of his Dust Bowl years was published in 1943 to critical acclaim.
During World War II, moved by his passion against Fascism, Woody served in both the Merchant Marine and the Army. Shipping out to sea on several occasions with his buddies Cisco Houston and Jimmy Longhi, Woody’s tendency to write songs, tell stories and make drawings continued unabated. He composed hundreds of anti-Hitler, pro-war, and historic ballads to rally the troops, such as “All You Fascists Bound To Lose”, “Talking Merchant Marine,” and “The Sinking of the Reuben James.” He began to work on a second novel, Sea Porpoise, and was enlisted by the army to write songs about the dangers of venereal diseases, which were published in brochures distributed to sailors. His capacity for creative self-expression seemed inexhaustible, whether on land or sea.
CONEY ISLAND (1946-1954)
Following the war, in 1946, Woody Guthrie returned to settle in Coney Island, New York, with his wife Marjorie and their children. The peace he had fought so hard for seemed finally within his reach. It was during this time that Woody composed and recorded Songs to Grow On For Mother and Child and Work Songs To Grow On , considered children’s classics which won him success and recognition as an innovative writer of children’s songs.
Woody’s unique approach was to write songs that dealt with topics important to children written in language used by children such as; friendship (“Don’t You Push Me Down”), family (“Ship In The Sky”), community (“Howdi Doo”), chores (“Pick It Up”), personal responsibility (“Cleano”) and just plain fun (“Riding In My Car”).
During these years, Woody was exposed to Coney Island’s Jewish community through his mother-in-law, Aliza Greenblatt, a Yiddish poet. Inspired by this new relationship, he wrote a remarkable series of songs reflecting Jewish culture, such as “Hanuka Dance,” “The Many and The Few” and “Mermaid’s Avenue.”
Toward the late 1940s, Woody’s behavior started to become increasingly erratic, moody and violent, creating tensions in his personal and professional life. He was beginning to show symptoms of a rare, neurological disease, Huntington’s Chorea, a hereditary, degenerative disease that gradually and eventually robbed him of his health, talents and abilities. At the time, little was known about Huntington’s Chorea. It was later discovered to be the same disease which thirty years earlier had caused his mother’s institutionalization and eventual death.
Shaken by inexplicable volatile physical and emotional symptoms, Woody left his family once again, taking off for California with his young protégé, Ramblin’ Jack Elliott.
Arriving at his friend Will Geer’s property, Woody met Anneke Van Kirk, a young woman who became his third wife and with whom they had a daughter, Lorina.
HOSPITAL YEARS (1954-1967)
The late 1940′s and early 1950′s saw a rise in anti-Communist sentiments. Leftist and progressive-minded Americans were subjected to Red-scare tactics such as “blacklisting”. Many people, particularly in the arts and entertainment fields, either lost their jobs or were prevented from working in their chosen careers. The Weavers, along with Woody, Pete Seeger and others from their circle, were targeted for their activist stances on such issues as the right to unionize, equal rights, and free speech.
Woody headed south to Florida, where friend and fellow activist Stetson Kennedy offered blacklisted artists living space on his property. While in the South at Kennedy’s “Beluthahatchee”, Woody worked on a third novel, Seeds of Man , and composed songs inspired by a heightened awareness of racial and environmental issues.
Becoming more and more unpredictable during a final series of road trips, Woody eventually returned to New York with Anneke, where he was hospitalized several times. Mistakenly diagnosed and treated for everything from alcoholism to schizophrenia, his symptoms kept worsening and his physical condition deteriorated. Picked up for “vagrancy” in New Jersey in 1954, he was admitted into the nearby Greystone Psychiatric Hospital, where he was finally diagnosed with Huntington’s Chorea, the incurable degenerative nerve disorder now known as Huntington’s Disease or HD.
During these years, Marjorie Guthrie, family and friends continued to visit and care for him. A new generation of musicians took an interest in folk music bringing it into the mainstream as yet another folk music revival. Joan Baez, Bob Dylan, The Greenbriar Boys, Phil Ochs, and many other young folksingers visited Woody in the hospital, bringing along their guitars and their songs to play for him, perhaps even to thank him.
Woody Guthrie died on October 3, 1967 while at Creedmoor State Hospital in Queens, New York. His ashes were sprinkled into the waters off of Coney Island’s shore.
A month later, on Thanksgiving 1967, Woody’s son Arlo Guthrie released his first commercial recording of “Alice’s Restaurant”, which was to become the iconic anti-war anthem for the next generation.
In his lifetime, Woody Guthrie wrote nearly 3,000 song lyrics, published two novels, created artworks, authored numerous published and unpublished manuscripts, poems, prose, and plays and hundreds of letters and news article which are housed in the Woody Guthrie Archives in New York.
Having lived through some of the most significant historic movements and events of the Twentieth-Century –the Great Depression, the Great Dust Storm, World War II, the social and the political upheavals resulting from Unionism, the Communist Party and the Cold War– Woody absorbed it all to become a prolific writer whose songs, ballads, prose and poetry captured the plight of everyman. While traveling throughout the American landscape during the 1930s, ’40s, and ’50s, Woody’s observations of what he saw and experienced has left for us a lasting and sometimes haunting legacy of images, sounds, and voices of the marginalized, disenfranchised, and oppressed people with whom he struggled to survive despite all odds. Although the corpus of original Woody Guthrie songs, or as Woody preferred “people’s songs” are, perhaps, his most recognized contribution to American culture, the stinging honesty, humor, and wit found even in his most vernacular prose writings exhibit Woody’s fervent belief in social, political, and spiritual justice.
In 1996, The Rock and Roll Hall of Fame and Museum and Case Western Reserve University presented a ten day celebration honoring Woody Guthrie, entitled Hard Travelin’. It was the first major conference on the legacy of Woody Guthrie complete with a photo exhibition, lectures, films, and two benefit concerts, which were held in support of the Woody Guthrie Archives.
HONORS & AWARDS
Woody Guthrie has been recognized for his monumental contributions and achievements in American culture. He has been the recipient of prestigious awards both from governmental departments and private arts organizations.
-written by Jorge Arevalo / Woody Guthrie Archives
- Woody Guthrie: The Long Road to Peekskill (engageuclan.wordpress.com)
Citizen Journalists Exchange
Imagine running or riding sweaty, naked in a field of wild marijuana: That’s how they harvest the good stuff
Merkhat Sharipzhanov/ www.rferl.org, -- Kyrgyz officials announced on August 29 that 4.5 tons of marijuana had been confiscated from illegal drug traffickers in the last seven days. It was specifically mentioned that the majority of the marijuana was confiscated in Kyrgyzstan’s northern Chui Valley (known as the Chu Valley in Kazakh).
Shared between southern Kazakhstan and northern Kyrgyzstan, the Chu Valley has been one of the most infamous sources of marijuana in the former Soviet Union for as long as anyone can remember.
The Chu Valley’s wild marijuana — well known among drug users in the former Soviet republics as “dichka” — was always of the “highest quality.”
It was prized throughout the vast territory of the Soviet empire, which stretched from Brest (Belarus) to Vladivostok (Russian Far East) and from the Russian town of Salekhard in the north to the Turkmen city of Kushka in the south.
The Soviets did a lot to eliminate wild “dichka” plantations in the region. They burned the fields, used all possible and impossible pesticides, but it grew even better after all those measures.
Since the collapse of the Soviet Union in 1991, Chu’s “dichka” continues to be in demand on both the territory of the former Soviet Union and beyond.
August is the month for marijuana harvesting in the region, as that is when the marijuana starts producing the resin that has such a narcotic effect on the human brain.
For mass producers of marijuana, the easiest way to process the drug is to cut the buds in August, dry them, and then sell them as “grass.”
Sweating To Make Hash However, the most concentrated and popular form of marijuana is so-called “plastilin” (plasticine), and the way it is harvested and produced has not changed for centuries.
It begins with a freshly showered person riding naked for hours on a clean, washed horse inside a two-meter-high “forest” of marijuana.
Afterwards, the human body and that of the horse are covered with a thick layer of resin mixed with sweat.
(It only takes a few tiny pieces of “plastilin” to get high.)
The mixture is subsequently pressed, molded into bars, and dried.
The “plastilin” that results from this process effectively comprises very concentrated marijuana bars.
A couple of small, pinhead-sized pieces from one of these bars added to a regular cigarette is enough to make the smoker happy.
This sort of marijuana is also very easy to carry or stash and is therefore very popular among drug users.
But it is a lot harder to produce this form of the drug because you need more time to make it.
Imagine 10, 20, or 30 individuals running or riding naked in a field of wild marijuana. It goes without saying that they are more exposed and it is easier to catch them. Nonetheless, people do it and they have been doing it since time immemorial.
And, of course, in Central Asia, there are people who can easily make local law enforcement officials “keep their eyes shut” during the harvest season, sharing with them either “plastilin” or the money earned from its sale.
For former Soviet citizens, it calls to mind a famous quote from the popular communist-era film “The White Sun of the Desert”: “The east is a strange place, Pete!” (“Vostok — delo tonkoe, Petrukha!”).
– Merkhat Sharipzhanov
Copyright (c) 2013. RFE/RL, Inc. Reprinted WWH/CJE with the permission of Radio Free Europe/Radio Liberty, 1201 Connecticut Ave NW, Ste 400, Washington DC 20036.
- Meet America’s First Marijuana Mayor: Sebastopol’s Robert Jacob (blogs.sfweekly.com)
Franck Fotos / Alamy
World’s Largest Ball of Twine, Cawker City, KS
Frank Stoeber started winding twine in his basement in 1953. Determined to outdo the mighty 12-foot-wide Johnson Twine Ball in Darwin, MN, he labored tirelessly until his death in 1974, finishing one foot short of his goal. Since then, residents and tourists visiting Cawker City have been adding to Stoeber’s ball in the annual Twineathon held in August. It now weighs a hefty nine tons and measures 40 feet in diameter. The twine is not without controversy: twine ball purists complain that, much like running the marathon, twine balling should be an individual pursuit. —Adam McCulloch
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6 Bizarre Items Mailed Through the U.S. Postal System
Today, the familiar phrase from Herodotus’ work is engraved on the outside of the James A. Farley Post Office building in New York City: “Neither snow nor rain nor heat nor gloom of night stays these couriers from the swift completion of their appointed rounds.” But whenHerodotus originally wrote the phrase in 500 B.C., he undoubtedly didn’t anticipate that an entire country of Americans would put that slogan to the test. In fact, since the beginning of the U.S. Postal Service in 1775, mischievous citizens have constantly pushed the envelope when it came to challenging their local mailmen. Here are a few strange things that have been sent through the mail.
One of the earliest tales of beating the mail system occurred in 1849 with the escape of Virginia slave Henry “Box” Brown. One night, Brown had a dream to “mail [himself] to a place where there are no slaves.” With $86 in hand, Brown enlisted the help of a local storekeeper to box him up with water and biscuits and send him north to freedom. James Miller McKim, a Philadelphia abolitionist, agreed to receive the box. The trip began on March 23. While the journey only lasted 27 hours, Brown’s box was passed from wagon to railroad to steamboat and back again. The box often ended up upside down, but Brown remained quiet enough to avoid discovery. On March 24, Brown arrived in Philadelphia and was released as a free man.
That wasn’t the only case of shipping people by mail. In 1914, 5-year-old May Pierstorff was sent from Grangeville, Idaho to visit her grandmother in Lewiston, Idaho. When it came time to buy tickets, Pierstorff’s parents discovered that sending their daughter through parcel post was cheaper than buying fare. Pierstorff, who weighed less than the 50-pound weight limit, was sent through the mail at the chicken rate. Before Pierstorff boarded the train, her parents clipped 53 cents to her coat and sent her on her way. Upon arrival in Lewiston, the postmaster personally delivered the young girl to her grandmother’s house. Six years later, the practice of shipping humans through parcel post became illegal.
In the August 7, 1895 issue of The New York Times, Miss Daisy James from the New York Post Office noted that dead birds and other small animals were sent to taxidermists throughout the country. She also handled various strains of smallpox, diphtheria, and scarlet fever that were shipped by physicians to the national Health Board.
The largest thing to be sent through the mail was a building. In 1916, a young businessman by the name of William H. Coltharp decided to construct a new bank on the corner of a street in Vernal, Utah. Of course, Coltharp couldn’t send a completed building through the mail, wall by wall. But Coltharp wanted the best bricks in the area and decided to have those bricks sent from the Salt Lake Pressed Brick Company—all 80,000 of them. He reasoned that parcel post was the most inexpensive way to ship the bricks for construction, and he carefully packaged the bricks in separate crates weighing less than the 50-pound weight limit. Somewhere around 40 crates were shipped each time, and each shipment weighed roughly one ton collectively. It was Coltharp’s infamous scheme that prompted the U.S. Postal Service to change their rules so that a customer could only send 200 pounds of goods per day. Their reasoning? “It is not the intent of the U.S. Postal Service that buildings be shipped through the mail.”
Some patrons have resorted to sending their beloved pets through the postal system. In December 1954, a man named David from Fostoria, Ohio decided to send his pet chameleon through the mail to the much warmer Orlando, Florida. On December 7, David received the following note from Orlando’s postmaster: “Dear David, I received your chameleon yesterday and he was immediately released on the post office grounds. Best wishes for a merry Christmas!”
By far, the most expensive item to be shipped through the mail was the allegedly cursed Hope Diamond. In November 1958, Harry Winston donated the diamond to the Smithsonian Institution for the National Jewel Collection. Valued at over $1 million at the time, the diamond was shipped to the museum for only $145.29, which was mostly package insurance for the precious gem.
6. SKIS, DEER TIBIAS, AND DEAD FISH
Even today, individuals still test the limits of our country’s postal service. In 2000, a team of social scientists from the science-humor magazine Improbable Research conducted a studyto see what bizarre items they could sneak through the post office. The team broke the proposed items into six categories: valuable items, sentimental items, unwieldy items, pointless items, suspicious items, and disgusting items.
Among the valuable items was a pair of “new, expensive tennis shoes” that were bound together by duct tape. The shoes took only seven days to reach their destination, and a mail clerk along the way tightly tied the laces together in a knot. For one of the sentimental items, the researchers sent a molar tooth to themselves in a clear plastic box. After 14 days, the tooth was delivered in a repackaged mailer and accompanied with a note: “Please be advised that human remains may not be transported through the mail, but we assumed this to be of sentimental value, and made an exception in your case.”
The researchers continued their study with the “unwieldy items” category by sending a ski through the mail. After affixing a large amount of postage to the single ski, the researchers distracted the local mailman and stuffed the ski into a bin of postage being loaded in the truck. Eleven days later, the ski was delivered. “Pointless items” were packages that appeared to be a prank. Researchers sent one fresh, green coconut from Hawaii to their office. It arrived in only 10 days, completely intact. The team also sent a street sign—which could have easily been a stolen item possessed illegally—to themselves. This item, part of the “suspicious items” category, made it to the local post office in nine days.
Finally, the individuals finished their study by sending items from the “disgusting” category on their list. In all, the team sent a deer tibia, a large wheel of rancid cheese, and dead fish through the mail. All of the items were delivered within nine days, although the postal clerks were especially concerned with the team’s motives. They asked the group if they were part of a cult and warned them against being fined for mail service abuse.
October 29, 2013 – 9:23pm
Read the full text here: http://mentalfloss.com/article/53334/6-bizarre-items-mailed-through-us-postal-system#ixzz2lrthXEW0
–brought to you by mental_floss!