Swear word in art ‘breaking the law’ at Brentwood gallery
12:06 01 May 2015
Police visited John last month at Brandler Galleries in Coptfold Road, Brentwood, after they received reports of the offensive artwork.
The painting by artists The Connor Brothers reads: “A load of fuss about **** all.
“Modern Shakespeare – edited by The Connor Brothers.”
John said: “The police came round and said if I don’t remove it I’m breaking the law – they said they’re happy as long as it’s covered.”
He added: “Someone’s complained to police about this and you think, ‘where’s your sense of humour?’
“It’s a painted word in the middle of a sentence – you have to look hard to even find it.
“It is what it says – a load of fuss about **** all.”
The painting, which is worth £7,500, is one of many high-profile pieces at the gallery.
“We’ve sold work by Damien Hirst and Pure Evil and we’ve just sold an £18,000 Banksy,” said John.
The art enthusiast said he has had complaints before with a Pure Evil work which reads “you can’t buy happiness, steal it”, with the “I” in “it” being stolen by a man in a hooded top.
“People complained it was teaching the youth how to steal,” said John. “I just think it’s very clever – these artists make you smile and laugh when you see their work.
“I just think people should be honest when they look at art because we’re not all going to like the same things.”
Essex Police confirmed the incident.
Monopoly in the Park
330 West San Carlos Street, San Jose, California 95110 USA | (408) 995-6487
Welcome to Monopoly in the Park, the world’s biggest version of the most popular board game ever, and San Jose’s new “larger than life” attraction. Here in the park, the real estate market is always booming, as property is traded on a 930-square foot permanent Monopoly board. Now everyone has a chance to make it big in Silicon Valley real estate.
Large groups can reserve the giant board and game pieces for organized events. Participants play with jumbo dice, don gigantic token-shaped hats, and occasionally even wear jailhouse garb. Monopoly in the Park is Big fun for: Family reunions, field trips, company picnics, birthday parties, and corporate team building events.
The Scarface Mansion is Up for Sale
You might not know this (we didn’t), but Tony Montana’s Scarface mansion has a name. The estate, known as “El Fureidis” and actually located in Montecito, California, recently underwent a multi-million dollar renovation so that the 10-acre ………. continue reading
SCARFACE-THE BEST PARTS
Southern California real estate agent Ken Bannister went bananas—literally—more than 40 years ago. What began as his marketing strategy of handing out banana stickers at conventions ripened into a full-blown persona as the “Banana Man.” He’s amassed nearly 20,000 artifacts now on display at the Banana Museum.
It’s just one of the odd collections found across America. Whether devoted to barbed wire or Bigfoot, most of these strange museums spring from the passionate hobbies of individuals like Bannister. And their labors of love are a reminder that what can be considered worthy to collect is as varied as the country itself.
Unlike major institutions displaying Picasso paintings, Egyptian sarcophagi, or Jeff Koons’s latest balloon animal, these strange museums are rarely crowded. You certainly won’t confuse New York’s MoMA with MOMA—the self-described “museum of meat awesomeness” devoted to SPAM in Austin, MN.
If buying a pumpkin, cutting it open and carving it into a jack o’lantern is too much work — or if your best efforts are scary for all the wrong reasons — then a California farmer has the pumpkin for you.
Pumpkinstein is already the perfect Halloween pumpkin because you don’t have to do a thing to it. Each one is grown in a mold to take the shape of Frankenstein’s head.
“People never believe it’s real the first time they see it; they all want to touch it to make sure,” Tony Dighera of Cinagro Farms in Fillmore, Calif., told The New York Times.
Dighera told the Tri-Valley Dispatch that it took four years and $500,000 to develop the technique and find the perfect pumpkin for the job.
“When you try something for four years of your life, people really start to think you’re wacko,” he told the Times.
What some people may find “wacko,” however, is the price. Dighera is selling Pumpkinsteins for about $75 wholesale, with retailers marking them up to $100 and even $125.
For a pumpkin. A very cool pumpkin that looks like Frankenstein, but still a pumpkin.
At least it’s organic.
Dighera is not finished with his pumpkin tinkering. He told the Los Angeles Daily News that next year, the pumpkins will be grown with eyeballs made of marbles. He’s also developing a second type of pumpkin grown to look like a skull.
Marty the Mouse became famous in 1974 after he made a home for himself in a box of marijuana stored in the evidence room of the San Jose, CA police station. Police were only able to lure him out by baiting a trap with marijuana seeds. (He ignored bacon, peanut butter, cheese, and a female mouse called Mata Hairy.) He became known as Marty the Marijuana Mouse.
But instead of killing him, he was first sent to UCLA to aid in studies of marijuana. Then he was returned to San Jose where he became a police mascot. When he died in Nov 1975, the nation mourned.
THE PEZ MUSEUM
An integral part of the American scene for approximately 50 years, PEZ Candy has been
enjoyed by generations of Americans.
PEZ was first marketed as a compressed peppermint candy over 83 years ago in Vienna, Austria. The name PEZ was derived from the German word for peppermint… PfeffErminZ. Today, over 3 billion PEZ Candies are consumed annually in the U.S.A. alone.
With great tasting flavors and collectable dispensers, PEZ is more than just a candy… it’s the pioneer of “interactive candy” that is both enjoyable to eat and fun to play with. PEZ Dispensers are a hot collectable for adults and children alike as well as being a staple and part of American pop culture. New character dispensers are introduced regularly to reflect current trends.
PEZ Candy is manufactured in Orange, Connecticut by PEZ CANDY, INC. and marketed through supermarkets, mass merchandisers, variety stores, drug stores, convenience stores, toy chains and gift stores throughout the U.S. and Canada. Available around the world in more than 80 countries, PEZ Candy and Dispensers truly have universal appeal.
THE PEZ MUSEUM
PEZ MUSEUM STORE 1 2 3 4 5 6 7 8 9 10 11 12 13 14
For a more detailed view, click on the Pez in the picture or search the lists below.
Farm Confessional: I’m an Undocumented Farm Worker
In our new feature, Farm Confessional, we talk to agricultural workers whose stories often aren’t told. Do you have a story to tell? Anonymity is okay and guaranteed. Contact us at firstname.lastname@example.org. For our first installment, we talked to Odilia Chavez, a 40-year-old undocumented migrant farmworker.
As told to and translated from Spanish by Lauren Smiley
I’m Odilia Chavez, a 40-year-old migrant farm worker based in Madera, California, the heart of the fertile Central Valley. I’m also a single mother of three: my 20-year-old eldest son came and joined me in 2004, crossing with a coyote. My son is now at the university, studying political science. The younger two were born here — American citizens.
I grew up in Santiago Yosondua, Oaxaca, in southern Mexico. I went to school through third grade, my dad was killed when I was 11, and we didn’t even have enough food to eat. So I went off to work at 12 in Mexico City as a live-in maid for a Spanish family. I’d go back each year to Oaxaca to visit my mom, and the migrants who’d come back from the United States would buy fancy cars and nice houses, while my mom still slept on a mat on the floor in our hut. A coyote told me he could take me to the United States for $1,800. So I went north in 1999, leaving my four-year-old son behind with my mother. I was 26.
I’ve seen on the news that some Congress members or American citizens say undocumented workers are taking their jobs. We’re not taking their jobs. In the 14 years I’ve been here, I’ve never seen an American working in the fields.
We crossed through the desert into Arizona, hiding from the border patrol. I finally arrived in Madera in March of 1999, and I moved into a boarding house for migrant farmworkers.
I’d never worked in a field. It was really hard at first — working outdoors with the heat, the daily routine. But I’ve certainly learned. In a typical year, I prune grapevines starting in April, and pick cherries around Madera in May. I travel to Oregon in June to pick strawberries, blueberries and blackberries on a farm owned by Russians. I take my 14-year-old daughter and 8-year-old son with me while they’re on their summer break. They play with the other kids, and bring me water and food in the field. We’ll live in a boarding house with 25 rooms for some 100 people, and everyone lines up to use the bathrooms. My kids and I share a room for $270 a month.
I head back to Madera in August for my children to start school. We own our house now — paid off in April! I reached the American dream — ha — thanks to the help of the father of my youngest son, who died in 2007 after he returned to Mexico after a problem with immigration authorities and was killed while working as a policeman. In Madera, I pick grapes that will be made into raisins in September, usually rest in October. In November, I travel each day to Stanislaus County to work planting trees in a nursery until February.
On all the harvests, men and women work side-by-side doing the same job, and women work just as fast as the men. I’ve been harassed one time: when a boss who drove us out to the field every day wanted to hug me, and said he wouldn’t charge me the $8 a day for the ride if I’d go out with him. (Most of us don’t have driver’s licenses, so the contractors organize rides to work.) I left the job. In California, especially in Fresno and Madera counties, there’s an abundance of farm jobs. So you don’t have to do one you don’t like.
I’ve seen on the news that some Congress members or American citizens say undocumented workers are taking their jobs. We’re not taking their jobs. In the 14 years I’ve been here, I’ve never seen an American working in the fields. I’ve never seen anyone work like Mexicans. In restaurants and construction, you’ll find Salvadorans and Guatemalans, but in the fields, it’s almost all Mexicans.
The work is hard — but many jobs are hard. The thing that bothers me more is the low pay. With cherries, you earn $7 for each box, and I’ll fill 30 boxes in a day — about $210 a day. For blueberries, I’ll do 25 containers for up to $5 each one — $125 a day. With grapes, you make 30 cents for each carton, and I can do 400 cartons a day – $120 a day. Tomatoes are the worst paid: I’ll pick 100 for 62 cents a bucket, or about $62 a day. I don’t do tomatoes much anymore. It’s heavy work, you have to bend over, run to turn in your baskets, and your back hurts. I say I like tomatoes — in a salad. Ha. With a lot of the crops, the bosses keep track of your haul by giving you a card, and punching it every time you turn in a basket.
One time, a contractor who was an American citizen with Mexican parents called me a no-good illegal, and claimed he was going to call immigration on me. I said, “Send ‘em over, I’ll be waiting!” I left that job.
I wish they would be more considerate of what we’re doing with the pay rate. They’re a little cheap: 31 cents for a carton of grapes. I would like another two or three cents a carton, because it’s really hard and heavy work. I’ve never worked a union contract job — a lot of them are in tomatoes or oranges — but if anyone doesn’t want to pay you, the United Farm Workers of America where I’m a volunteer, will help you get paid.
I’m very fast. In jobs where you’re doing delicate things, like pruning plants, they don’t want you rushing, so they pay you by the hour. But harvest jobs are usually paid by the quantity you pick. I prefer it that way — you have to run, but you can get home faster. We get there at 6:00 in the morning and, if I rush, I take a break at 1:00, drink and eat something, then work for another hour and head home. You pick the amount of hours you want to work, and you try not to take a lot of breaks so you can earn more. Some people will go until 5:00 in the afternoon and want to work and work, but I have my kids.
You come home really tired. I’ll come home, take a shower, put lotion on my hot feet, and be ready for the next day. I’m usually in bed by 9:00 to get up at 3:00 or 4:00 in the morning to make and pack some tacos for the day. Also, undocumented workers don’t have any medical insurance — so the majority of us just buy over-the-counter pills for any problems. Luckily, I haven’t had many health issues yet.
Some contractors think they can abuse you because you’re undocumented. One time, a contractor who was an American citizen with Mexican parents called me a no-good illegal, and claimed he was going to call immigration on me. I said, “Send ‘em over, I’ll be waiting!” I left that job.
We all want immigration reform. First, I’d get a driver’s license, social security, and go see my mom in Mexico. (The last time I went was in 2008, and I had to cross the dessert again with a coyote to get back here — but it was the only option.) I would still work in the fields. I don’t know how to do anything else. A lot of workers haven’t gotten very far in school, and they can’t use a computer. What job are they going to do? We can’t get a better job. They were farmworkers in Mexico and we’re going to die as farmworkers. I do have a lot of pride in my work, though. It can be fun. We joke around.
I’m going to keep working as long as I can. My youngest son says he’s going to invent a robot to do the housework for me, and he’s going to earn a lot so we can buy our own ranch.
And yes, you can use my real name! Some undocumented people are scared, but I’ve never seen an immigration raid on a farm. (I hope they don’t start, either.) Agriculture is dependent on undocumented workers. We need the money from the farmers, and the farmers need our hands.
CHAPTER 1 CANNERY ROW
Best Of Cannery Row
Monterey County Beginnings
Steinbeck was born about 30 miles from Cannery Row in Salinas, California, on February 27, 1902. He graduated from Salinas High School in 1919 and attended Stanford University, about 90 miles north of the Monterey Peninsula. He married his first wife, Carol Henning, in 1930. They lived in Pacific Grove next to Cannery Row, where much of the material for his books was gathered.
Cannery Row Characters
Steinbeck’s strong personal attachment to Monterey was perhaps inevitable. Living in Pacific Grove, in a house owned by his father, Steinbeck wrote stories spiced with the vibrant tales of cannery workers and roughnecks he knew.
Cannery Row ignited Steinbeck’s imagination and his affection for the colorful mix of people there influenced a number of stories and characters. Tortilla Flat (1935) received the California Commonwealth Club’s Gold Medal for best novel by a California author and marked a turning point in Steinbeck’s career.
Cannery Row (1945), one of Steinbeck’s best and most widely read fictional works, immortalized Cannery Row as a one-of-a-kind neighborhood of fish packing plants, bordellos, and flophouses, and made it the most famous street in America. Sweet Thursday, the sequel to Cannery Row, was published in 1954.
Steinbeck & Ed Ricketts
In 1930 Steinbeck met Ed Ricketts, an accomplished marine biologist who operated the Pacific Biological Laboratory at 800 Cannery Row. Ricketts was the inspiration for the character ‘Doc’ in Cannery Row, although he wasn’t called Doc in real life. Ricketts brought Steinbeck along on his outdoor adventures studying the biological mysteries of the “Great Tidal Pool” near Asilomar Beach, and on a voyage to the Sea of Cortez.
In 1948 Ed Ricketts was hit by a train after his Buick stalled on the tracks near Cannery Row. Today, the location of the train accident is memorialized with a bust of Ricketts at the street corner adjacent to the Monterey Plaza Hotel & Spa.
Steinbeck died on December 20, 1968, in New York City. His ashes were placed in the Garden of Memories Cemetery in Salinas.
For more information about John Steinbeck’s life and work, visit the National Steinbeck Center.
FROM CANNERY ROW (1982) – FORGOTTEN TREASURE