“San Francisco (Be Sure to Wear Flowers in Your Hair)” is a song, written by John Phillips of The Mamas & the Papas, and sung by Scott McKenzie. It was written and released in June 1967 to promote the Monterey Pop Festival
ERIC BURDON & THE ANIMALS-“SAN FRANCISCAN NIGHTS”
“San Francisco (Be Sure to Wear Flowers in Your Hair)” is a song, written by John Phillips of The Mamas & the Papas, and sung by Scott McKenzie. It was written and released in June 1967 to promote the Monterey Pop Festival.
dave and myself in San Francisco
Live guitar music still warbles from street corners, tie-dyed t-shirts are hawked by the handful, the smell of pot permanently wafts, colorful peace signs adorn windows of businesses like the Red Victorian Bed & Breakfast — institutions better suited to an earlier time.
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But said nostalgia is often overshadowed by the sad realities of a neighborhood that has long since evolved from the remnants of a revolution: the wayward teenagers, the tourist traps, the vagabonds, the $6 corporate ice cream cones sold at precisely San Francisco’s most famous intersection.
During its heyday, which culminated in 1967’s infamous Summer of Love, young dreamers converged in the Haight by the thousands. Historians deem the neighborhood the birthplace of the hippie movement, marked by peaceful protests and psychedelic experimentation. The era’s greatest luminaries, from Jerry Garcia to Allen Ginsberg to Jimi Hendrix, all lived nearby.
Then the movement waned, and the area began to decay along with it. “By the fall of 1967, Haight-Ashbury was nearly abandoned, trashed, and laden with drugs and homeless people,” blogger Jon Newman wrote in his essay Death of the Hippie Subculture. “With the Haight in ruins and most of its residents gone, it was simply unable to operate as a hub for music, poetry and art.”
Of course, the Haight still has a certain appeal. There’s no better jazz-and-pizza combo in the city than at Club Deluxe, Amoeba Music offers a truly epic collection, a parklet just popped up in front of Haight Street Market and the 12-piece band that assembles in front of American Apparel on Sunday mornings always move crowds to dance in the street.
Yet we can’t help but heave a sigh while pushing past gaggles of gawking tourists or stepping over the man sleeping on the sidewalk at noon. While a stroll down Haight Street today certainly evokes nostalgia, it also makes us yearn for a place that was once the epicenter of peace and love and youth in revolt, a place we never had the chance to experience ourselves but will be forever engrained in San Francisco’s complex, progressive history.
A History Of Hippies
This is a short documentary about the Haight Street kids living in San Francisco.
Photographer Annie Leibovitz was born October 2, 1949, in Waterbury, Connecticut. In 1970 she took a job at Rolling Stone magazine. In 1983 she began working for the entertainment magazineVanity Fair. During the late 1980s, Leibovitz started to work on a number of high-profile advertising campaigns. From the 1990s to the present, she has been publishing and exhibiting her work.
Rolling Stone Magazine
Photographer. Born Anna-Lou Leibovitz, on October 2, 1949, in Waterbury, Connecticut. She was one of the six children born to Sam, an Air Force lieutenant, and Marilyn Leibovitz, a modern dance instructor. In 1967, Leibovitz enrolled at the San Francisco Art Institute, where (although initially studying painting) she developed a love for photography.
After living briefly on an Israeli kibbutz, Leibovitz returned to the U.S., in 1970, and applied for a job with the start-up rock music magazine Rolling Stone. Impressed with Leibovitz’s portfolio, editor Jann Wenner offered her a job as a staff photographer. Within two years, the 23-year-old Leibovitz was promoted to chief photographer – a title she would hold for the next 10 years. Her position with the magazine afforded her the opportunity to accompany the Rolling Stones band on their 1975 international tour.
While with Rolling Stone, Leibovitz developed her trademark technique, which involved the use of bold primary colors and surprising poses. Wenner has credited her with making many Rolling Stone covers collector’s items, most notably an issue that featured a nude John Lennon curled around his fully clothed wife, Yoko Ono. Taken on December 8, 1980, Leibovitz’s photo of the former Beatle was shot just hours before his death.
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During the late 1980s, Leibovitz started to work on a number of high-profile advertising campaigns. The most notable was the American Express “Membership” campaign, for which her portraits of celebrity cardholders, like Elmore Leonard, Tom Selleck, and Luciano Pavarotti, earned her a 1987 Clio Award.
In 1991, Leibovitz’s collection of over 200 color and black-and-white photographs were exhibited at the National Portrait Gallery in Washington, D.C. Later that year, a book was published to accompany the show titledPhotographs: Annie Leibovitz 1970-1990. In 1996, Leibovitz was chosen as the official photographer of the Summer Olympics in Atlanta, Georgia. A compilation of her black-and-white portraits of American athletes, including Carl Lewis and Michael Johnson, were published in the book Olympic Portraits (1991).
Widely considered one of America’s best portrait photographers, Annie Leibovitz published the book Women (1999), which was accompanied by an essay by friend and novelist Susan Sontag. With its title subject matter, Leibovitz presented an array of female images from Supreme Court Justices to Vegas showgirls to coal miners and farmers. Currently, many of her original prints are housed in various galleries throughout the United States.
In 2005, the Brooklyn Museum of Art did a retrospective on her work entitled “Annie Leibovitz: A Photographer’s Life, 1990-2005.” As busy as ever, Annie Leibovitz continues to be in demand as portrait photographer, often capturing arresting images of today’s celebrities.
Annie Leibovitz is the mother of three children. At the age of 51, she had her daughter, Sarah. In 2005, her twin daughters, Susan and Samuelle, were born with the help of a surrogate mother.
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A Breathtaking Aerial View of the Chicago Skyline as Reflected on Lake Michigan sunset clouds cityscapes Chicago
While on approach to Chicago O’Hare International Airport last week after a business trip, amateur photographer Mark Hersch glanced out his window at the setting sun and decided to pull out his iPhone to take a photo. Right then the plane banked for a 180-degree left turn over Lake Michigan for a final westward approach when an unexpected play of light occurred: the entire skyline of Chicago was suddenly projected in shadow from underneath the cover of clouds. It’s safe to say this is textbook definition of a once-in-a-lifetime shot. Photo courtesy Mark Hersch. (via Twisted Sifter)
Inside the counter-culture: An intimate look at Warhol, Ginsberg and friends through the radical lens of legendary photographer Richard Avedon
PUBLISHED: 00:59 EST, 18 May 2012 | UPDATED: 01:37 EST, 18 May 2012
Richard Avedon was one of the most well-known fashion and portrait photographers in American history. However, many of his photographs had a distinctly political flavor.
His work photographing hippies, artists and icons of the beat generation was said to capture their very essence and offer an inside look at the counter-culture in a way that few portrait shooters have been able to match.
A collection of his radical portraits are on display at Gagosian Gallery in New York City this summer.
The counter-culture: Allen Ginsberg, the beatnik poet, was a frequent subject. This work is titled: Louis Ginsberg and his son Allen Ginsberg, poets, Paterson, New Jersey, May 3, 1970
Allen Ginsberg’s family: Hannah (Honey) Litzky, aunt; Leo Litzky, uncle; Abe Ginsberg, uncle; Anna Ginsberg, aunt; Louis Ginsberg, father; Eugene Brooks, brother; Allen Ginsberg, poet; Anne Brooks, niece; Peter Brooks, nephew; Connie Brooks, sister-in-law; Lyle Brooks, nephew; Eugene Brooks; Neal Brooks, nephew; Edith Ginsberg, stepmother; Louis Ginsberg, Paterson, New Jersey, May 3, 1970
Avedon was known for shooting stark, minimalist portraits of his subjects that let their own personalities shine through.
‘A photographic portrait is a picture of someone who knows he’s being photographed, and what he does with this knowledge is as much a part of the photograph as what he’s wearing or how he looks,’ he said, according to the Atlantic.
The beatnik-generation luminary Allen Ginsberg was one of Avedon’s famous subjects. He photographed the poet in 1968 as he embraced and kissed his longtime lover, Peter Orlovsky.
He photographed the Chicago Seven, the protestors who were charged with inspiring a riot at the 1968 Democratic Convention in Chicago.
Andy Warhol and members of The Factory: Gerard Malanga, poet; Viva, actress; Paul Morrissey, director; Taylor Mead, actor; Brigid Polk, actress; Joe Dallesandro, actor; Andy Warhol, artist, New York, October 9, 1969
Andy Warhol, artist, New York, August 14, 1969
Andy Warhol was another subject whom Avedon exposed to his camera lens. He captured the scars on his chest left by a 1968 murder attempt.
Not all of Avedon’s subjects were trend-setters outside the mainstream.
He convinced Rose Mary Woods, President Richard Nixon’s secretary, to stand for a portrait.
The Mission Council, which helped dictate the US involvement in the Vietnam War, also stood for a photograph.
Avedon died of a brain hemorrhage in 2004 while on assignment for The New Yorker.
The exhibit, titled Richard Avedon Murals & Portraits, is on display at Gagosian Gallery, West 21st Street in New York City, through July 6.
The Mission Council: Hawthorne Q. Mills, Mission Coordinator; Ernest J. Colantonio, Counselor of Embassy for Administrative Affairs; Edward J. Nickel, Minister Counselor for Public Affairs; John E. McGowan, Minister Counselor for Press Affairs; George D. Jacobson, Assistant Chief of Staff, Civil Operations and Rural Development Support; General Creighton W. Abrams, Jr., Commander, United States Military Assistance Command, Vietnam; Ambassador Ellsworth Bunker; Deputy Ambassador Samuel D. Berger; John R. Mossler, Minister and Director, United States Agency for International Development; Charles A. Cooper, Minister Counselor for Economic Affairs; and Laurin B. Askew, Counselor of Embassy for Political Affairs, Saigon, South Vietnam, April 28, 1971
Lovers: Avedon captured this intimate moment between Ginsberg and his longtime lover. The portrait is titled: Allen Ginsberg and Peter Orlovsky, poets, New York, December 30, 1963
Florynce Kennedy, civil rights lawyer, New York, August 1, 1969
Dao Dua, “The Coconut Monk,” Mekong Monastery, Phoenix Island, South Vietnam, April 14, 1971
Rose Mary Woods, secretary to President Richard Nixon, Washington, D.C., August 10, 1975