Tag Archives: war

best movies of the 60’s

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best movies of the 60’s

 

 

 

 

 

 

 

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  1. Lawrence of Arabia – (1962, David Lean) (Peter O’Toole, Alec Guinness)
  2. Psycho – (1960, Alfred Hitchcock) (Anthony Perkins, Janet Leigh)
  3. Dr. Strangelove… – (1964, Stanley Kubrick) (Peter Sellers, George C. Scott)
  4. 8 1/2 – (1963, Federico Fellini) (Marcello Mastroianni, Claudia Cardinale)
  5. 2001: A Space Odyssey – (1968, Stanley Kubrick) (Keir Dullea, Gary Lockwood)
  6. Once Upon a Time in the West – (1968, Sergio Leone) (Henry Fonda, Charles Bronson)
  7. To Kill a Mockingbird – (1962, Robert Mulligan) (Gregory Peck, Mary Badham)
  8. Midnight Cowboy – (1969, John Schlesinger) (Dustin Hoffman, Jon Voight)
  9. Bonnie and Clyde – (1967, Arthur Penn) (Warren Beatty, Faye Dunaway)
  10. La Dolce Vita – (1960, Federico Fellini) (Marcello Mastroianni, Anouk Aimee)
  11. The Good, the Bad and the Ugly – (1966, Sergio Leone) (Clint Eastwood, Lee Van Cleef, Eli Wallach)
  12. The Graduate – (1967, Mike Nichols) (Dustin Hoffman, Anne Bancroft, Katharine Ross)
  13. Breathless – (1960, Jean-Luc Godard) (Jean-Paul Belmondo, Jean Seberg)
  14. The Yojimbo – (1961, Akira Kurosawa) (Toshiro Mifune, Tatsuya Nakadai)
  15. Wild Bunch – (1969, Sam Peckinpah) (William Holden, Ernest Borgnine)
  16. Persona – (1966, Ingmar Bergman) (Liv Ullmann, Bibi Andersson)
  17. The Leopard – (1963, Luchino Visconti) (Burt Lancaster, Claudia Cardinale)
  18. L’Avventura – (1960, Michelangelo Antonioni) (Gabriele Ferzetti, Monica Vitti)
  19. The Apartment – (1960, Billy Wilder) (Jack Lemmon, Shirley MacLaine)
  20. The Manchurian Candidate – (1962, John Frankenheimer) (Frank Sinatra, Laurence Harvey)
  21. Easy Rider – (1969, Dennis Hopper) (Peter Fonda, Dennis Hopper, Jack Nicholson)
  22. Last Years at Marienbad – (1961, Alain Resnais) (Delphine Seyrig, Giorgio Albertazzi)
  23. West Side Story – (1961, Jerome Robbins, Robert Wise) (Natalie Wood, Richard Beymer)
  24. Cool Hand Luke – (1967, Stuart Rosenberg) (Paul Newman, George Kennedy, Strother Martin)
  25. The Battle of Algiers – (1966, Gillo Pontecorvo) (Brahim Hadjadj, Jean Martin)
  26. Doctor Zhivago – (1965, David Lean) (Omar Sharif, Julie Christie)
  27. A Hard Day’s Night – (1964, Richard Lester) (The Beatles, Wilfrid Brambell, Norman Rossington)
  28. Alphaville – (1965, Jean-Luc Godard) (Eddie Constantine, Anna Karina)
  29. The Music Man – (1962, Morton DaCosta) (Robert Preston, Shirley Jones, Buddy Hackett)
  30. Spartacus – (1960, Stanley Kubrick) (Kirk Douglas, Laurence Olivier, Jean Simmons)
  31. Peeping Tom – (1960, Michael Powell) (Karlheinz Bühm, Moira Shearer)
  32. The Umbrellas of Cherbourg – (1964, Jacques Demy) (Catherine Deneuve, Nino Castelnuovo)
  33. The Sound of Music – (1965, Robert Wise) (Julie Andrews, Christopher Plummer)
  34. Medium Cool – (1969, Haskell Wexler) (Christine Bergstrom, Harold Blankenship)
  35. The Producers – (1968, Mel Brooks) (Zero Mostel, Gene Wilder)
  36. Planet of the Apes – (1968, Franklin J. Schaffner) (Charlton Heston, Roddy McDowell)
  37. In the Heat of the Night – (1967, Norman Jewison) (Sidney Poitier, Rod Steiger, Warren Oates)
  38. Marat/Sade – (1966, Peter Brook) (Patrick Magee, Ian Richardson, Glenda Jackson)
  39. Belle de jour – (1967, Luis Buñuel) (Catherine Deneuve, Jean Sorel)
  40. Andrei Rublev – (1966, Andrei Tarkovsky) (Anatoli Solonitsyn, Ivan Lapikov)
  41. Blow-Up – (1966, Michelangelo Antonioni) (David Hemmings, Vanessa Redgrave, Sarah Miles)
  42. The Birds – (1963, Alfred Hitchcock) (Rod Taylor, Tippi Hedren, Jessica Tandy)
  43. Tom Jones – (1963, Tony Richardson) (Albert Finney, Susannah York, Hugh Griffith)
  44. Night of the Living Dead – (1968, George A. Romero) (Duane Jones, Judith O’Dea)
  45. The Hustler – (1961, Robert Rossen) (Paul Newman, Jackie Gleason, George C. Scott)
  46. My Fair Lady – (1964, George Cukor) (Audrey Hepburn, Rex Harrison, Wilfrid Hyde-White)
  47. Goldfinger – (1964, Guy Hamilton) (Sean Connery, Gert Fröbe, Honor Blackman)
  48. Woman in the Dunes – (1964, Hiroshi Teshigahara) (Eiji Okada, Kyôko Kishida)
  49. The Man Who Shot Liberty Valance – (1962, John Ford) (John Wayne, James Stewart, Vera Miles)
  50. Butch Cassidy and the Sundance Kid – (1969, George Roy Hill) (Paul Newman, Robert Redford)
  51. Rosemary’s Baby – (1968, Roman Polanski) (Mia Farrow, John Cassavetes, Ruth Gordon)

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52.(1966, Jiri Menzel) (Václav Neckár, Josef Somr)
53. Rocco and His Brothers – (1960, Luchino Visconti) (Alain Delon, Renato Salvatori)
54. Weekend – (1967, Jean-Loc Godard) (Mireille Darc, Jean Yanne)
55. Breakfast at Tiffany’s – (1961, Blake Edwards) (Audrey Hepburn, George Peppard, Patricia Neal)
56. The Longest Day – (1962, Ken Annakin) (Richard Burton, Robert Ryan, Henry Fonda)
57. Point Blank – (1967, John Boorman) (Lee Marvin, Angie Dickinson, Keenan Wynn)
58. Oliver! – (1968, Carol Reed) (Mark Lester, Ron Moody, Jack Wild, Oliver Reed)
59. Judgment at Nuremberg – (1961, Stanley Kramer) (Spencer Tracy, Burt Lancaster)
60. The Dirty Dozen – (1967, Robert Aldrich) (Lee Marvin, Ernest Borgnine, Charles Bronson)
61. Dog Star Man – (1964, Stan Brakhage) (Jane Brakhage, Stan Brakhage)
62. Bullitt – (1968, Peter Yates) (Steve McQueen, Jacqueline Bisset, Robert Vaughn)
63. Pierrot Le Fou – (1965, Jean-Loc Godard) (Jean-Paul Belmondo, Anna Karina)
64. Mary Poppins – (1964, Robert Stevenson) (Julie Andrews, Dick Van Dyke)
65. A Raisin in the Sun – (1961, Daniel Petrie) (Sidney Poitier, Claudia McNeil, Louis Gossett Jr.)
66. Romeo and Juliet – (1968, Franco Zeffirelli) (Leonard Whiting, Olivia Hussey)
67. The Shop On Main Street – (1965, Jan Kadar, Elmar Klos) (Ida Kaminska, Jozef Króner)
68. Funny Girl – (1968, William Wyler) (Barbra Streisand, Omar Sharif)
69. Hud – (1963, Martin Ritt) (Paul Newman, Melvyn Douglas, Patricia Neal)
70. In Cold Blood – (1967, Richard Brooks) (Robert Blake, Scott Wilson, John Forsythe)
71. Lolita – (1962, Stanley Kubrick) (Sue Lyon, Shelley Winters, Gary Cockrell)
72. The Pawnbroker – (1964, Sidney Lumet) (Rod Steiger, Geraldine Fitzgerald)
73. The Innocents – (1961, Jack Clayton) (Deborah Kerr, Peter Wyngarde, Michael Redgrave)
74. My Night at Maud’s – (1969, Eric Rohmer) (Jean-Louis Trintignant, Françoise Fabian)
75. Jules and Jim – (1962, Francois Truffaut) (Jeanne Moreau, Oskar Werner)
76. The Great Escape – (1963, John Sturges) (Steve McQueen, James Garner, Richard Attenborough)
77. Yellow Submarine – (1968, George Dunning) (Animation)
78. Repulsion – (1965, Roman Polanski) (Catherine Deneuve, Ian Hendry)
79. From Russia With Love – (1963, Terence Young) (Sean Connery, Robert Shaw, Daniela Bianchi)
80. Who’s Afraid of Virginia Woolf? – (1966, Mike Nichols) (Elizabeth Taylor, Richard Burton)
81. One Hundred and One Dalmatians – (1961, Clyde Geronimi) (Animation)
82. Elmer Gantry – (1960, Richard Brooks) (Burt Lancaster, Jean Simmons, Arthur Kennedy)
83. The Exterminating Angel – (1962, Luis Buñuel) (Silvia Pinal, Enrique Rambal)
84. Lilies of the Field – (1963, Ralph Nelson) (Sidney Poitier, Lilia Skala, Lisa Mann)
85. A Man for All Seasons – (1966, Fred Zinnemann) (Paul Scofield, Leo McKern, Robert Shaw)
86. Long Day’s Journey into Night – (1962, Sidney Lumet) (Katharine Hepburn, Ralph Richardson)
87. Ride the High Country – (1962, Sam Peckinpah) (Randolph Scott, Joel McCrea, Edgar Buchanan)
88. A Thousand Clowns – (1965, Fred Coe) (Jason Robards, Barbara Harris, Martin Balsam)
89. Le Trou – (1960, Jacques Becker) (Michel Constantin, Jean Keraudy)
90. Z – (1969, Costa-Gavras) (Yves Montand, Irene Papas, Jean-Louis Trintignant, Jacques Perrin)

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  1. The Pink Panther – (1964, Blake Edwards) (Peter Sellers, David Niven, Robert Wagner)
  2. Inherit the Wind – (1960, Stanley Kramer) (Spencer Tracy, Fredric March, Harry Morgan)
  3. The Haunting – (1963, Robert Wise) (Julie Harris, Claire Bloom, Richard Johnson)
  4. Shoot the Piano Player – (1960, Francois Truffaut) (Charles Aznavour, Marie Dubois)
  5. Cape Fear – (1962, J. Lee Thompson) (Robert Mitchum, Gregory Peck, Polly Bergen)
  6. Contempt – (1963, Jean-Luc Godard) (Brigitte Bardot, Michel Piccoli, Jack Palance)
  7. Red Desert – (1964, Michelangelo Antonioni) (Monica Vitti, Richard Harris)
  8. Georgy Girl – (1966, Silvio Narizzano) (James Mason, Lynn Redgrave, Alan Bates)
  9. Juliet of the Spirits – (1965, Federico Fellini) (Giulietta Masina, Sandra Milo)
  10. Darling – (1965, John Schlesinger) (Laurence Harvey, Julie Christie, Dirk Bogarde)

20 More Movies Worth Mentioning

  1. The Jungle Book – (1967, Wolfgang Reitherman) (Voices of: Phil Harris, Sebastian Cabot, Louis Prima)
  2. Faces – (1968, John Cassavetes) (John Marley, Gena Rowlands, Lynn Carlin)
  3. Playtime – 1967, Jacques Tati) (Jacques Tati, Barbara Dennek, Rita Maiden)
  4. Viridiana – (1961, Luis Bunuel) (Silvia Pinal, Francisco Rabal, Fernando Rey)
  5. Le Samouraï – 1967, Jean-Pierre Melville) (Alain Delon, François Périer, Nathalie Delon)
  6. If – (1968, Lindsay Anderson) (Malcolm McDowell, David Wood, Richard Warwick)
  7. Shock Corridor – (1963, Samuel Fuller) (Peter Breck, Constance Towers, Gene Evans)
  8. Through a Glass Darkly – (1961, Ingmar Bergman) (Gunnar Björnstrand, Harriet Andersson)
  9. Whatever Happened to Baby Jane? – (1962, Robert Aldrich) (Bette Davis, Joan Crawford, Victor Buono)
  10. My Life To Live – (1962, Jean-Luc Godard) (Anna Karina, Sady Rebbot, André S. Labarthe)
  11. Knife In The Water – (1962, Roman Polanski) (Leon Niemczyk, Jolanta Umecka)
  12. The Nutty Professor – (1963, Jerry Lewis) (Jerry Lewis, Stella Stevens, Del Moore)
  13. The Miracle Worker – (1962, Arthur Penn) (Patty Duke, Anne Bancroft, Victor Jory)
  14. Dr. No – (1962, Terence Young) (Sean Connery, Ursula Andress, Joseph Wiseman)
  15. War and Peace – (1968, Sergei Bondarchuk) (Lyudmila Savelyeva, Vyacheslav Tikhonov, Gennadi Ivanov)
  16. They Shoot Horses, Don’t They? – (1969, Sydney Pollack) (Jane Fonda, Michael Sarrazin, Susannah York)
  17. Memories of Underdevelopment – (1968, Tomás Gutiérrez Alea) (Sergio Corrieri, Daisy Granados)
  18. True Grit – (1969, Henry Hathaway) (John Wayne, Glen Campbell, Kim Darby)
  19. The Misfits – (1961, John Hutson) (Clark Gable, Marilyn Monroe, Montgomery Clift)
  20. High School – (1968, Frederick Wiseman) (Documentary)

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14 Things We Learned from Bill Murray

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14 Things We Learned from Bill Murray’s Reddit AMA

Image credit:
Monuments Men Facebook

Tonight, Bill Murray did something that is very, very Bill Murray: He did a surprise Reddit AMA to promote his upcoming movie, The Monuments Men. His answers to user questions are equal parts delightful and thoughtful. Here’s what we learned.

1. Even Bill Murray can’t believe how awesome he is.

When one user asked Murray what it was like to be so awesome, Murray replied, “Nothing prepared me for being this awesome. It’s kind of a shock. It’s kind of a shock to wake up every morning and be bathed in this purple light.”

2. After filming Broken Flowers, he didn’t think he could do anything better.

Murray told Jim Jarmusch that he would only do Broken Flowers if the director could find places to film that were within an hour of the actor’s house. Jarmusch did, so Murray did the movie—and when it was finished, “I thought ‘this movie is so good, I thought I should stop,'” Murray wrote. “It’s a film that is completely realized, and beautiful, and I thought I had done all I could do to it as an actor. And then 6-7 months later someone asked me to work again, so I worked again, but for a few months I thought I couldn’t do any better than that.”

3. Murray thinks Einstein was a “pretty cool guy.”

But if he could go back in time and have a conversation with just one person, it would be scientist and friar Gregor Mendel, “because he was a monk who just sort of figured this stuff out on his own,” Murray said. “That’s a higher mind, that’s a mind that’s connected. They have a vision, and they just sort of see it because they are so connected intellectually and mechanically and spiritually, they can access a higher mind. Mendel was a guy so long ago that I don’t necessarily know very much about him, but I know that Einstein did his work in the mountains in Switzerland. I think the altitude had an effect on the way they spoke and thought.”

4. He really likes Wes Anderson.

It’s probably not a surprise that Murray likes director Wes Anderson—they’ve worked on seven films together. But during his AMA, Murray enumerated why he likes working with Anderson so much: “I really love the way Wes writes with his collaborators, I like the way he shoots, and I like HIM,” Murray said. “I’ve become so fond of him. I love the way that he has made his art his life. And you know, it’s a lesson to all of us, to take what you love and make it the way you live your life, and that way you bring love into the world.”

5. He thinks that, at the time it came out, Groundhog Day was underrated.

“The script is one of the greatest conceptual scripts I’ve ever seen,” he wrote. “It’s a script that was so unique, so original, and yet it got no acclaim. To me it was no question that it was the greatest script of the year. To this day people are talking about it, but they forget no one paid any attention to it at the time. The execution of the script, there were great people in it.”

6. The strangest experience he had in Japan while filming Lost in Translation involved an eel.

Once, while at a sushi restaurant, the chef asked Murray, “Would you like some fresh eel?” Murray replied that yes, he would. “So [the chef] came back with a fresh eel, a live eel, and then he walked back behind a screen and came back in 10 seconds with a no-longer-alive eel,” the actor said. “It was the freshest thing I had ever eaten in my life. It was such a funny moment to see something that was alive that no longer was alive, that was my food, in 30 seconds.”

7. He thinks the previous SNL cast was “the best group since the original group.”

The current SNL cast is good, in Murray’s opinion, but “the last group with Kristen Wiig and those characters, they were a bunch of actors and their stuff was just different,” he said.

It’s all about the writing, the writing is such a challenge and you are trying to write backwards to fit 90 minutes between dress rehearsal and the airing. And sometimes the writers don’t get the whole thing figured out, it’s not like a play where you can rehearse it several times. So good actors—and those were really good actors, and there are some great actors in this current group as well I might add—they seem to be able to solve writing problems, improvisational actors, can solve them on their feet. They can solve it during the performance, and make a scene work. … So this group, there are definitely some actors in this group, I see them working in the same way and making scenes go. They really roll very nicely, they have great momentum, and it seems like they are calm in the moment.

8. Doing the voice recording for The Fantastic Mr. Fox was basically one big party.

The process, Murray said, “dragged on and on and on,” but it was “great fun” that started at a friend’s farm:

[W]e all stayed at her place for a handful of days while we recorded during the day and then at night we would have these magnificent meals and we would all tell stories. We had a LOT of great food, a lot of great wine and great stories. It went on until people started literally falling from their chairs and being taken away. And then we had to go to another place and do it again, we went to George’s place, but then something happen and the whole party broke up, and George said “you don’t have to go, do ya” and I didn’t, so we just kicked around Northern Italy for a while. It was a real fiesta.

9. He didn’t part on good terms with his assistant.

When the actor was working on Groundhog Day, director Harold Ramis asked Murray to hire an assistant to make communicating easier. So Murray hired a deaf woman who didn’t speak—and Murray didn’t know American Sign Language. Murray says he and the woman didn’t part well:

I was sort of ambitious thinking that I could hire someone that had the intelligence to do a job but didn’t have necessarily speech or couldn’t quite hear or spoke in sign language. … I tried my best, but I was working all day. She was lovely and very smart, but there’s a lot of frustration when you meet people who can’t speak well. Being completely disabled in that area causes a great amount of frustration, and this was going back 30 years or so before there were the educational components that there are today. It didn’t go particularly well for me, but for a few weeks she really was a light and had a real spirit to her. … We were both optimistic, but it was harder than either of us expected to make it work.

10. Here’s where to get what is, in Murray’s opinion, the best sandwich.

“There’s a place not far from Warner Brothers, I think it was called the Godfather? And they made all kinds of sandwiches with smashed avocado and sprouts and stuff like that,” he said. “And when you were having a bad day … you’d get sandwiches from this place. And they were very filling and very tasty, and then you’d forget about the morning.”

11. You can thank Murray’s brother Brian for Bill.

Murray called his brother his “first great influence. He made much of what I am possible. To this day, if I have a question about something ethical or about being an actor or entertainer or a person or something like that, he’s a person who helped form me.”

12. Bill has some pretty interesting thoughts on marijuana.

When asked what he thought about the recreational use of marijuana, Murray didn’t exactly answer the question—instead, he discussed the American penal system and the failure of the war on drugs. “Now that we have crack and crystal and whatnot, people don’t even think about marijuana anymore, it’s like someone watching too many videogames in comparison,” he said. “The fact that states are passing laws allowing it means that its threat has been over-exaggerated. Psychologists recommend smoking marijuana rather than drinking if you are in a stressful situation. These are ancient remedies, alcohol and smoking, and they only started passing laws against them 100 years ago.”

13. He likes pickles.

And peanut butter. But he’s never tried them together. “I’m big on pickles, but I’ve never had them with peanut butter,” he says. “I really like peanut butter though. I’m kind of surprised because I like them both so much that I haven’t combined them.”

14. He thinks stealing art is “worse than stealing gold and diamonds.”

Murray’s next film, The Monuments Men, tells the story of a group of museum curators and art historians who venture into Germany to rescue art stolen by the Nazis and return the pieces to their rightful owners. And there are direct parallels between what happened in history (and in the film) and what’s happening in some parts of the world today. “You hate to say that a film is an important film but I think it’s a movie that people will say enlightened them about something that was forgotten, and it’s a situation that exists around the world now,” Murray said. “For example when we invaded Iraq, we weren’t really taking care of business and a bunch of criminals went in and looted the museums. It’s what’s happening in Syria now. It’s far worse than stealing gold or diamonds. It’s stealing a culture, a mystery, and if those works of art are stolen, we are losing the ability to learn about culture and about ourselves.”

From Pentagon To Life In A Van

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From Pentagon To Life In A Van

January 7, 2014
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Source: Philidelphia Inquirer

After a 30-year military career in which he earned three graduate degrees, rose to the rank of colonel, and served as an aide to Pentagon brass, Robert Freniere can guess what people might say when they learn he’s unemployed and lives out of his van:

Why doesn’t this guy get a job as a janitor?

Freniere answers his own question: “Well, I’ve tried that.”

Freniere, 59, says that his plea for help, to a janitor he once praised when the man was mopping the floors of his Washington office, went unfulfilled. So have dozens of job applications, he says, the ones he has filled out six hours a day, day after day, on public library computers.

So Freniere, a man who braved multiple combat zones and was hailed as “a leading light” by an admiral, is now fighting a new battle: homelessness.

Aside
JANE FONDA VIETNAM WAR ACTIVIST AND MORE

Synopsis

Jane Fonda is an American actress born on December 21, 1937, in New York City. The daughter of acclaimed actor Henry Fonda, Jane starred in the acclaimed films Klute and Coming Home, winning Oscars for both. Off screen, she was a civil rights and anti-war activist. In the 1980s, the actress found success launching a series of aerobic-exercise videos.

QUOTES

“It’s never too late—never too late to start over, never too late to be happy.”

– Jane Fonda
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Early Life

Born Lady Jayne Seymour Fonda on December 21, 1937, in New York City, Jane Fonda has enjoyed a tremendous career as an actress. She comes from a Hollywood dynasty of sorts. Her father Henry was one of the top actors of the 20th century. Her brother Peter and her niece Bridget have also had their share of success on the big screen.

Fonda faced some challenges growing up. Her father could be cold and distant. Her mother, socialite Frances Seymour Brokaw, committed suicide when Fonda was 12 years old. Not long after her mother’s death, Fonda developed an eating disorder, which she struggled with for years. She attended boarding school and then went to Vassar College. Leaving college, Fonda went to Paris to study art.

Fonda returned to New York and did a bit of modeling for a time. Before long, she decided to follow in her father’s footsteps. In 1954 she co-starred with her father, Henry Fonda, in a production of The Country Girl. Fonda began to study her craft with Lee Strasberg at the famed Actors Studio a few years later.

Career Beginnings

Fonda’s career seemed to really take off in 1960. She made her film debut Tall Story (1960) with Anthony Perkins. On Broadway, Fonda netted a Tony Award nomination for There Was a Little Girl. She continued to juggle theatrical and film work over the next few years. Working with director George Cukor, Fonda starred in the romantic comedy The Chapman Report (1962). She shared the Broadway stage with Celeste Holm in Invitation to a March and Dyan Cannon in The Fun Couple around this time.

In the late 1960s, Fonda recreated herself as a type of sex kitten under the direction of her French filmmaker husband Roger Vadim. This new look was most evident in the 1968 science fiction taleBarbarella

She soon shed this image for more serious dramatic roles. She scored her first Academy Award nomination for 1969’s They Shoot Horses, Don’t They?. Two years later, Fonda took home her first Academy Award for her work on Sydney Pollack‘s thriller Klute, which co-starred Donald Sutherland.

Film Actress and Activist

In addition to her acting, Fonda became an outspoken critic of the Vietnam War. She traveled to North Vietnam in 1972—a visit that caused an uproar back at home. Many were particularly upset by Fonda’s decision to pose for photos while sitting on an antiaircraft gun, one used to shoot at American troops. She was given the nickname “Hanoi Jane” and seen as a traitor for her support of the North Vietnamese. Fonda also fought for social causes, serving as a spokesperson on issues of civil rights and women’s rights.

Unrepentant communist-supporter ‘Hanoi Jane’ Fonda will play Nancy Reagan in an upcoming film. In 1972 “Hanoi” Jane Fonda applauded an NVA anti-aircraft gun crew during her trip to North Vietnam. These guns were used to shoot down American planes and contributed to the deaths of American Airmen. To plug the film Jane Fonda wore a “Hanoi Jane”

Traitor Jane Fonda AKA Hanoi Jane Cast As Nancy Reagan in THE BUTLE

During the Vietnam war Jane Fonda betrayed her nation and it’s fighting men. CBS and NBC both claim it’s urban legend but of the many accounts I’ve read in my research it seems an undeniable fact. We all know the communist lapdog media will never admit to or ever tell the truth even if they were at the pearly gates.
Hanoi Jane is her name and she continues to demonstrate this everywhere she goes. Jane Fonda thumbs her nose at all things American, reveling in her notoriety as a traitor. Now she’s a progressive hero instead of a disgrace. Liberal progressives have no respect for institutions. They aim to destroy traditional culture, piece by piece.
This is beyond insulting. This movie really needs to flop. Liberals will probably give it an Oscar. Check it out: Jane Fonda’s turn as Nancy Reagan has outraged fans of the former first lady but the actress says “The Gipper’s” wife is happy she landed the role. “I don’t think that whatever differences there might be in our politics really matters…

JANE FONDA VIETNAM WAR ACTIVIST AND MORE