This song by “The Yardbirds” was as far as i know released in 1965/66, and i would say it was not one of their more well known songs but it’s always been one of my favorites..

Yardbirds – For Your Love (Full Album)

The Yardbirds – The Very Best Of (Full Album)

The Yardbirds


  • The Yardbirds may not have been as famous as their British Invasion contemporaries the Beatles, the Rolling Stones and the Who, but the pioneering blues-based combo introduced three of the most famous and influential guitarists of the rock era: Eric Clapton, Jeff Beck and Jimmy Page. Their innovations — a revved-up instrumental attack, controlled use of feedback, distortion and fuzz; and live, improvisational jams they called “rave ups” — paved the way for psychedelic rock, progressive rock, heavy metal, Southern boogie and even punk.The earliest version of the band formed in the London suburbs in the early 1960s as The Metropolis Blues Quartet, but by 1963, the Yardbirds line-up had gelled with core members Keith Relf (vocals, harmonica), Chris Dreja (rhythm guitar), Paul Samwell-Smith (bass) and Jim McCarty (drums), in addition to lead guitarist Anthony “Top” Topham. When sixteen-year-old Topham was pressured by his parents to quit, Eric Clapton, who went by the nickname “Slowhand,” stepped in.The band took over the Rolling Stones’ residency at the London club Crawdaddy and became a hot item on the city’s R&B scene. In late 1963, the Yardbirds — named for the Southern American slang term for “chicken” — served as the backing band for a Crawdaddy performance by American bluesman Sonny Boy Williamson II. The following year, the group signed with Columbia Records and released its U.K. debut album, Five Live Yardbirds, a live set of hard-rocking electric blues and R&B covers including Howlin’ Wolf’s “Smokestack Lightning,” the Isley Brothers’ “Respectable” and Bo Diddley’s “I’m a Man.”By 1965, the band had developed its own sound, apart from just blues covers, with singles such as “For Your Love,” which reached Number Three in the U.K. and Number Six in the United States. Clapton, at the time a blues purist, left the Yardbirds in protest of their move away from the form, and was replaced by experimental rock guitarist Jeff Beck, who took the band to new creative heights. The Yardbirds then released two introductory compilations in the U.S. — For Your Love, including the single of the same name, and Having a Rave Up with the Yardbirds, which includes the singles “Heart Full of Soul” (Number Nine, 1965) and the proto-psychedelic song “Shapes of Things” (Number 11, 1966), as well as a few live tracks from their debut. Rave Up also includes “Stroll On,” the group’s altered version of the blues standard “Train Kept A-Rollin’,” which features both Beck and Page on guitars. The song (and band) appeared in the Michelangelo Antonioni film of 1966, Blow-up.

    Around the time of the sessions for the Yardbird’s next album — a self-titled set of all-original material — Samwell-Smith left his role as bassist and moved behind the scenes as producer. Page officially joined the band as bassist until Dreja mastered the instrument, after which he and Beck paired up as one of the most influential guitar duos of the period. Future Led Zeppelin bassist John Paul Jones also appeared on some songs, including the experimental “Happenings Ten Years Time Ago,” which features a twin-lead guitar attack from Beck and Page that provided a blueprint for subsequent heavy metal bands. The album, popularly known as Roger the Engineer and widely considered the Yardbirds’ masterpiece, includes influences of Indian and Middle Eastern music as well as avant-garde techniques; it spawned the singles “Happenings” (Number 30, 1966) and “Over Under Sideways Down” (Number 13, 1966). The latter song was also the title of the U.S. version of the album. In 1966, the band also released its earliest live recordings, with Sonny Boy Williamson, as Sonny Boy Williamson & the Yardbirds.

    With both Page and Beck, whom the British music magazine Beat Instrumental voted the Number One lead guitarist of 1966, the Yardbirds’ live performances became a huge draw and the band earned a slot opening for the Rolling Stones. The Beck-Page version of the Yardbirds, however, was short-lived, as Beck was fired from the band during a U.S. tour. With Page now the sole lead guitarist, the Yardbirds’ sound became heavier than the band’s earlier incarnations. Page continued some of the avant-garde tendencies of the Beck-era Yardbirds, such as running a violin bow over the strings of his guitar to produce eerie scraping sounds; he would later employ the technique with Led Zeppelin. The experimentation didn’t help the band’s chart success; none of the three singles from Little Games, the Yardbirds’ final studio album in 1967, charted well. During their 1967 and 1968 concerts, the Yardbirds eschewed their singles in favor of darker, beefier music such as the menacing blues-rock song “Dazed and Confused,” which Page would take to Zeppelin.

    The version of the Yardbirds with the core membership of Relf, McCarty and Dreja performed its last show on July 7, 1968. Page, with outstanding touring obligations for the Yardbirds, assembled a new line-up: his old bassist friend John Paul Jones, singer Robert Plant and drummer John Bonham. The New Yardbirds, of course, would become Led Zeppelin, one of the most successful bands in the history of rock, pioneering the dark and heavy blues sound and fanciful lyrics that constitute the basis of heavy metal. After Zeppelin proved itself a powerhouse with its first three albums, Clive Davis of Epic Records twice released a 1968 Yardbirds performance as Live Yardbirds: Featuring Jimmy Page. The set, which Page’s lawyers forced out of circulation both times, includes an embryonic version “Dazed and Confused” and remains a much-sought-after rarity.

    The other Yardbirds took different paths. Dreja became a professional photographer. Relf, McCarty and producer Samwell-Smith formed the progressive rock band Renaissance, although they left after the band’s second album, and Renaissance continued producing music throughout into the Eighties. Samwell-Smith wound up producing Cat Stevens’ successful career, and the other two moved from one folk-prog band to the next during the early Seventies. Relf died in an electrical accident in 1976. In the 1980s, the core Yardbirds — McCarty, Dreja and Samwell-Smith — reunited as Box of Frogs, with Page or Beck sitting in from time to time.

    In 1992, the Yardbirds were inducted into the Rock and Roll Hall of Fame. All surviving musicians, including Clapton, Beck and Page, appeared the ceremony. Around that time, McCarty and Dreja reformed the Yardbirds with singer and bassist John Idan. The band has continued to tour as the Yardbirds with a revolving-door cast of lead guitarists. In 2003, the group released a new Yardbirds album, Birdland, with guest appearances from a string of guitar players including Slash, Steve Vai, Joe Satriani, Brian May and even Beck on the song “My Blind Life.” The group released a performance album four years later, Live At B.B. King Blues Club.

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About hobo hippie

Hi I am an old hippie, a "beat" poet and novelist, and digital artist. I was co -editor and publisher of "Alpha Beat Press" alpha beat soup, bouillabaisse and cokefish and cokefishing in alpha beat soup with my late husband Dave Christy. My novel "eeenie meenie minee moe is for sale on amazon books. my other blogs are about humor and the weird. The blog is named after a Charlie Chaplin movie. a blog about world art.

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