Tag Archives: artist

Paintings By David Bowie

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Paintings By David Bowie

Paintings By David Bowie

Just like many others around the globe, I was saddened by the departure of a great artist of our age – David Bowie. I have to admit, though, my sadness is somehow selfish. I knew that it wouldn’t be long until…click title for more.

ana_christy#artwork#david_bowie#beatnikhiway.com

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THE CASTAWAY COLLECTOR OF BROOKLYN

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The Castaway Collector of Brooklyn

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21ST JUN, 2013

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In Boerum Place, Brooklyn, New York lives a man in an apartment with many things. Chong Gon Byun is his name and he arrived in New York City from Korea 25 years ago. Your initial thoughts on Byun might be that he is an obsessive vintage gatherer, a flea market bargain hunter, a hoarder. But a closer look, and you’ll see his ability to sculpt, rearrange, reconnect and rejuvinate castaway and found objects has an unmistakable genius behind it. But before I ramble on, let’s first meet Byun at his Brooklyn apartment…

This beautiful video from This Must be the Place series is brought to you by Lost & Found films.

Naturally, after stumbling across this short documentary, I had to see more of Byun’s work.

https://vimeo.com/14938491

I’m not usually one to appreciate abstract art and so often, sculptures made out of vintage bric-a-brac can look disturbing. Byun however, combines and recreates these castaway objects, with all their history and nostalgia, using such artisanal skill, clever wit,  attention to detail, and might I add, good taste.

Byun’s main work consists of painting and assemblage of discarded objects, cast away from our indutrial consumer society.

“Throughout the 5,000 years of history, we Koreans placed much emphases, on living in harmony with nature, and paying respect to the parents and elders,” says Byun. “Whether the items were antique or new, it was customary for the previous generation to hand over those ancestoral objects to the next generation, as a ritual. The objects that were used and are no longer useful, [but] still has its unique history and invaluable story to tell.”

“The clash between post-industrial civilization, and the present capitalist culture, becomes my main theme and casue for concern.” 

“The clash between post-industrial civilization, and the present capitalist culture, becomes my main theme and casue for concern.”

“When I was growing up in Korea, I always noticed a family portrait adorned  by an antique frame, placed at the center with care, where it can be shown with dignity. Those tarnished and yellowing photographs would reveal the amily’s past, leading in the present and even the future. This image became imbedded in my mind.”

See more of Byun’s work here

Artist Paints Stunningly Realistic #Portraits on His Hand and Stamps Them on Paper

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Artist Paints Stunningly Realistic #Portraits on His Hand and Stamps Them on Paper 

Artist Russell Powell creates stunningly realistic portraits on an unconventional surface – his own hand. The California-based teacher merges art and the body by painting eye-catching depictions of people on his palms. Incredibly, this textured and creased surface doesn’t deter him from adding intricate details and dramatic shading that gives the paintings a three-dimensional feel.

Powell’s works don’t just stay on his hands. Once he has completed a portrait, he touches his palm to paper. This process is called “hand-stamping,” and it’s how the artist records his pieces in a permanent way. He’s able to paint quickly enough that the medium doesn’t dry, meaning that his works are clearly imprinted. In addition, the stamping showcases Powell’s unique fingerprints and will always remind us from where his beautiful images originated.

Source:mymodernmet.com

A TOUCH OF ART -BEAUTIFUL SAND ART BY “YLADY OF THE SAND”

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CIRCUS” by Winner Kseniya Simonova!!! СТБ “Украина мае талант”

http://youtu.be/Eo4pPQZ-0vM

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My Story-Lady of the Sand

The very begining

Kseniya Simonova, a Lady of the Sand, was born on April 22nd, 1985 in Evpatoriya, a small city on the Crimean peninsula, in the South of Ukraine.

Kseniya was the first, beloved child who was surrounded with warm, creativity and beauty. Her mother, Irina Simonova, an artist, stylist, theatric designer and teacher of fine arts was sure that her daughter has to develop her talent since early childhood. Dad, Alexander Simonov, a former military man, officer who now runs a business in sphere of design and furniture, was a person who taught little Kseniya to be honest and strong. Kseniya who has Russian origins was born and lives in Ukraine and speaks fluently both Russian and Ukrainian. She is sure that her country is unique, and also because children are bilingual since childhood.

Since she was a child, Kseniya painted, drew and designed with her mother who was a real fairy for a little girl. There was no doubt for them about her entering the Volkoff’s Artistic School of Evpatoriya, one of the best schools in Ukraine. She graduated from the Artistic school of Evpatoriya with the highest scores. After that Kseniya realized she could not longer live without serious artistic studying and decided to continue. She asked the Headmaster of Fine Arts School for a permission to study in the Class of her mother and after finishing the course entered the specialized studio for young artists on the base of the School of Fine Arts in Evpatoriya.

Another passion of Simonova was poetry and literature. At school, Kseniya wrote a set of scientific research on English folk poetry, especially English folk songs and ballads of 15-16 centuries. After getting awards on tis research, she decided to make a more difficult one — make poetic translations of Ukrainian folk songs into English with the same rhythm and style.She also made an amount of poetic translations not only of the folk poetry but of great poets — William Shakespeare, Robert Burns, George Gordon Byron and others into Russian and Ukrainian. She translated American hymns into Russian and Ukrainian hymn into English. For her researches, Kseniya got many Republican Diplomas and a right to enter any University in Ukraine (on English Philology Departments) without entering exams.

But Kseniya knew she has to go another way and suddenly for everyone, in 2002 she has chosen a different specialization — Psychology and graduated (2007) from the Taurida National University (one of the best Universities on the territory of former USSR) with Red Diploma (the best scores at course). Her scientific specialization was Psychophysiology — a sphere between Psychology and Anatomy. And her diploma project was also connected with her artistic perception of reality — it was about a color therapy in Psychology. She made a presentation of her 4-year scientific research, being pregnant, and got ovations from professors and students. At the same time with studying in University, Kseniya entered Ukrainian Academy of Printing on the Graphics Department (2003) and had to study in two universities at once. She graduated in 2008 and proved her Diploma Project with a 6-mounth baby in her hands. She got the highest scores in the Academy for a project «Chocolate» bilingual magazine which then became her own business project.

In 2007 Kseniya got married Igor Paskaru, a person who she calles a Magician and the Most Talented Man in the World. He was a theatric director and glossy editor. He was a person who told her: «You will be a star. Believe me…» Their son Dmitry was born on November 27th, 2007 and became Kseniya’s muse. From the day he was born she drew him, his face, his tiny hands, saying that Dmitry is the most beautiful sight ever.

Hard work

Since 2006, being a student of two Universities at once, Kseniya worked in a «Crimean Riviera» glossy magazine (cultural and historical specialization) as an artist where she started her personal genre of Graphics — «Psychoanalytical Line Graphics» — mixture of sacrificed psychoanalytical images and reality shown in line graphics. It was the very place where she met her future husband. He worked there as an editor-in chief and his first proposal was not a job of an artist. He asked Simonova to pose as a model in a new chapter of the magazine about beautiful and creative people of the world. Kseniya agreed and her photos appeared in the magazine with a big success among public. In a small interview which was printed near the photo session, she said that she draws all the time. After reading that, people stated sending letters to the editors asking to print some of Kseniya’s pictures. In two mouth she got her job as an artist of the magazine. Igor was always nearby ready to help. She passed her annual exams in her University, then in the Printing Academy, made drawings and paintings for the magazine, danced hip-hop trice a week in her beloved dance studio, went to a gym and took lessons on boxing and Russian fighting. When she was asked about how she managed to do it all, she said: «I love it. I also go to disco-clubs and bars, I read in the Library and have good appetite.»

She was not working as an artist. She lived it and it was her air. Once Kseniya said that if someone tights her hands she would probably draw with her legs.

Since November 2007 Kseniya and her husband Igor Paskaru established a glossy magazine «Chocolate» which was edited in two languages — English and Russian. All materials there were original and specially made for this edition. Kseniya was absolutely against using anything from the Internet. Each chapter was presented with a beautiful drawing made by Simonova, each page had a drawn element which Kseniya prepared considering the text and photos that will be there. The project was honored as one of the most successful cultural editions for foreigners in Ukraine. But in autumn 2008, during the crisis, the team of Kseniya and Igor has lost the investors and they had to freeze the edition.

Becoming a Sand Artist. A path in the mountains

As well as her mother, Kseniya always dreamed of being more than just a classical artist, who draws and paints on the paper and is closed in the edges of using materials: «Since I was three, in my dreams I saw amazing pictures… when there was no Universe, just an eternal snow with huge long shadows of strange long people, mysterious and magic trails on the snow and strange pink light from a non-existing sun… It was so incredibly beautiful…» When little Kseniya woke up, she drew the pictures from her strange dreams in the air with her finger. She believed that anyone could see her drawings. Her mother smiled and said that Kseniya has more talent and fantasy than her Mom. Kseniya dreamed of becoming an artist who can draw by heart not by pencil, without edges and walls. «I believed that it was possible to attach a little twinkle or a star on my finger to make the pictures seen for everyone…»

It may sound surprising, but Kseniya’s parents didn’t want her to be an artist and follow her Mom’s steps. Kseniya explained: «Both Mom and Dad knew that the life of an artist is a constant struggle. I realized that and was ready to it. If you chose this profession, you’re fighting during all your life. You do not live ordinary life- like comfort, buying the furniture… You just have no time. You’re always looking for something more, for the essence… and I… Actually I was never interested in a life of comfort, buying furniture and household. Although I did all household as a wife and mother of my son. I cooked, cleaned, designed our interior. And I enjoyed it with a knowledge that I have something else to enjoy — my creative activity».

The idea of making a sand performance came not to Kseniya, but to her husband Igor Paskaru, who wanted to include that to a new project of his theatre «Private Collection». Firstly Kseniya refused: «Immediately I realized that this is the thing very difficult to perform with. It was sand — not pencils or paints. No fixation! How this can be used as a drawing material?!» But she felt she was close to her dream — being an unusual artist who can be free from a pencil and paints. At the same time, the situation was very severe — their magazine was frozen, the business collapsed. Kseniya and Igor were driving their ship on the wave of a crisis with a little son who was just 10 month. Simonova remembers: «I had a terrible depression. Nothing was interesting for me, no colors around, just grey world… I had problems with lactation and somehow had to calm myself. Igor said: «Either we will go crazy or let’s do something! What about the sand?» I said: «Why not?»

Firstly, Kseniya took some sand from the beach. But it was a too uncomfortable for sand animation — the structure and shape of the sanddrops did not fit for drawing. Then they tried to use river sand, but it also did not fit. Igor spent days sitting at the computer looking for the proper sand in the Internet and finally found it. There was a group of geologists selling a special volcanic sand but it cost too much. Igor had to sell all the printing equipment which was in the office of his magazine to buy 3 kg of sand. And it was the material Kseniya called «the most academical in the world».

Simonova started practicing drawing with sand spending for five or four hours a day in a small dark room in a house they rented. According to her words, it was so difficult that she wanted to give it up once in three days. But all her depression vanished into the thin air. Although her new job was physically hard — she had to stand for long hours. Ksenyia trained at nights for three month. From early morning till the evening she was an ordinary housewife, a mother of a little boy Dima, doing what all mothers do — cooking, cleaning, changing diapers, playing with her son. From 10 pm to 4 am she was a sand artist. To realize the essence of sand animation which was based in constant transformations the images, she had to rebuild her sight and start seeing all objects surrounding her in sand. The insight finally came to Simonova one night. There was a light in her window until morning. The dawn came and the true inspiration entered her brain. Kseniya felt like there opened a second sight in her eyes. In the dark spots she began to see new faces and stories. She confessed: «That evening was the most important. I had to decide whether I need it or not. If I could not feel how to do it, I would probably take all these frames and sand and take it to the basement. Thanks God, this feeling came to me and I realized I will never give it up.»

«Ukraine’s got talent». Winner who came not to win

The process was started. Since then the chain of images gave birth to a true sand animation and real sand show. At that time, Igor saw a TV advertisement of the casting for a show «Ukraine’s got talent». The prize was one million Ukrainian hryvna. It’s more than 110,000 dollars. Kseniya decided to enter the casting. Just to try. She says: «Everything in my life comes to me accidentally and bring me happiness without my expectations».

At the cast-shooting, she presented a sand story (2 min) called «Circus» and was chosen one of the 50 competitors of the semi-final. On the step of choosing the 50 participants of semi-finals, Kseniya got a terrible fever and doctors didn’t allow her to go to Kiev (1000 km from Evpatoriya). But she came. «When I knew I was among 50 most talented people in Ukraine, I felt much better and in an hour my fever disappeared. If I failed coming, according to the rules of the show, my place had to be given to another person. It is a wonder I managed to come».

In the semi-final of «Ukraine’s got talent», Kseniya was going to perform a sand story about the Great Patriotic War which she created in the memory of fallen soldiers who saved her county from the Nazi. Kseniya refused the proposals of the producers to choose a more popular theme. She said: «I just want to bring some immortal sense to this show. Not just pictures or video clips. Something close to all hearts… It was also a tribute to my great-grandfather who heroically died in 1943 defending his Motherland». The sand story Simonova presented in live TV shooting of the semi-final was called «You are always nearby». It was an 8-minute live sand story of a young couple who were separated by the war. The young Lady and little Son were waiting for the Man to come from war, but he was killed. In the end he came to their window and watched them with a sight of love and hope. There was not a single emotion on the face of the performer. Simonova’s hands worked incredibly fast. Nobody knew what was going on in her soul. From the interview of Simonova: «It was so emotionally hard, and I now still cannot think about those minutes without pain… My hands were dyeing and reviving making the images.» Kseniya was hoping to get a little advertisement for her as an artist, but it turned an emotional bomb explosion. Almost the entire audience was in tears. Applause came down just after a minute after she finished her performance. Everyone in the hall applauded standing. Kseniya passed the semi-final and passed the final of the contest. In the third round, at Final, the sand story of Kseniya was about parents who gave birth to a son, the son has grown up, became successful and adult and forgot his old parents. Kseniya wanted the children to remember their father and mother — people who gave them lives — and call them. The resonance was enormous — people came to her in streets saying: «After watching your story, I took the phone and called my mom. I haven’t talk to for her a year. I called my mom after your story. Thank you very much! » Simonova said that these words were more than winning the show. During the interview with the judges in super-final, she said: «I’m not sure I want to win the show. But if a single person who didn’t call his Mom, will do it after my sand story — I will be more than a Winner!»

Kseniya became the winner of the show «Ukraine’s got talent. » And got 100,000 euro. She was named an on-line sensation when during a day her video from the show received more than a million views. During a year it got over 25 million views. Kseniya understood what happened only when she returned to her native town Evpatoria. She could no longer walk freely in the streets. She was surrounded by people everywhere, and was always asked for an autograph. On the money they won, Igor and Kseniya have bought a house in Evpatoria. Immediately they got hundreds of invitations to come and make a sand performance from all over the world. In her interviews, Simonova said: «It’s not me who did it. It’s God who did it. I don’t know why, I don’t think I deserve so many wonders in my life. I am eternally happy!»

Charity

In 2007 Kseniya Simonova has started a social movement which received the name «Live, My Sunny». This organization was aimed to help children who need treatment and material help, pregnant women who were going to make abortion because of leaving in need but who desided to give birth to their children despite material problems. Also it helps people who suffer with oncology. Simonova also conducts educational work in matters of morality. Collaborates with the Crimean diocese.

— In the 2009-2010 school year, school teachers of Crimea held a competition for the best lesson «The lesson of morality». It was organized by Simferopol and Crimea Diocese , Ministry of Education and Science of the Crimean Republic, the Crimean Orthodox medical and educational center, «Life.» Simonova was the ​​patroness of the competition — thirty best teachers received original works of the artist, and those who took the top places received prizes, they got laptops and home appliances.

— At the invitation of the President of Malta George Abel Kseniya Simonova took part in a charity marathon which managed to raise 2.5 million euros for the treatment of cancer and other diseases.

— In 2009, 2010 and 2011 Kseniya held several charity concerts, the income of which was transferred for the purchase of equipment for the maternity hospital of Evpatoriya.

— Collected and passed the money for treatment of Savva Pilipchuk — a boy who suffered with cerebral palsy (charity concert and exhibition «The Sand Personality» in Evpatoriya), for treatment for Olga Kravchuk, a young mother who suffered with cancer (exhibition and concerts in Simferopol).

— Created about fifty sand films for critically ill children and adults, and also films aimed to help medical institutions. In December 2010 created a series of charity films for Donetsk Center of Pediatric Cardiac Surgery. A series of TV-films «Cancer is curable» (Ukrainian translation).

— Participant of the rally «Ukraine without abortion» (2011)

— Member of the Ukrainian action «Helping children to grow up healthy», in defense of children with juvenile rheumatoid arthritis (2012)

— More than three years Kseniya Simonova actively helps Simferopol city orphanage house.

 

A TOUCH OF ART – THE LONGEST PIECE OF GRAFFITI EVER-TURN SIDEWAYS TO SEE

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At first I was angry because it was the wrong direction, but then I continued scrolling!

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Is this the longest graffiti ever?

This is the art by a French artist called BLUBLU. Check him out on youtube, he does stop-motion animation graffiti and it’s incredible.

the longest graffiti world

Read More: http://www.trueactivist.com/at-first-i-was-angry-because-it-was-the-wrong-direction-but-then-i-continued-scrolling/

Norman J. Olson a few more poems and artwork

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Norman J. Olson a few more poems and artwork

Norman J. Olson a few more poems and art

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Published on Apr 22, 2014

https://www.dropbox.com/…/b26agv6…/my%20movie%202.mp4…

a brief poetry reading and art by Minnesota small press poet and artist Norman J. Olson

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Detailed Portrait of Charles Bukowski Made with Only Text are Produced Using a Typewriter

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At first glance, you might not realize just how Brazilian graphic designer Álvaro Franca creates his stylized portraits. A closer look reveals that his subjects’ faces, hair, and clothing are all comprised of letterforms that are impressively produced on a vintage typewriter. Aptly titled Typewritten Portraits, text is grouped together and gives five of Franca’s favorite authors a sense of form and shading.

To craft these works, Franca created reference images on his computer. It gave him an idea of where the dark and light parts are on a face, and he used this as a guide when pecking away on his typewriter. Certain letterforms seem to be perfect for conveying a sense of realism in the portraits. The “m,” when placed together, creates a dense, shaded area, and we can see that the designer also layered text to further enhance this…

Kenneth Rexroth is perhaps one of the most accessible writers to have gained prominence during the Beat movement.

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Kenneth Rexroth is perhaps one of the most accessible writers to have gained prominence during the Beat movement.

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KENETH REXROTH AND LAWRENCE FERLINGHETTI READ

“FROM THE CELLAR”

 

 

He was born in South Bend, Indiana in 1905 and died on June 6, 1982 in Montecito, California.

In addition to being a writer, translator, essayist and philosopher, Rexroth also helped found the San Francisco Poetry Center. He received the California Literature Silver Medal Award in 1941 for his book, In What Hour.

Rexroth became a prolific painter and poet by the age of seventeen. He soon gained reputation as a radical by associating with various labor groups and political anarchists. When the second renaissance of the 1920’s occurred in Chicago, Rexroth was there. He later became involved in the Beat movement, attempting to elevate common consciousness. He was later given the title, “Godfather of the Beats” because of his involvement with the readings and events at the Cellar jazz club.

Rexroth’s influence and talents were actually greater than the Beat movement itself. He was perceived by critics as more than just another West Coast anarchist poet. “He is a man of wide cultivation and, when not too busy shocking the bourgeois reader…a genuine poet”, said a critic by the name of Rosenthal. A critic named Gibson observed of his book, In Defense of the Earth, that it “is no period piece… these poems of love and protest, of meditation and remembrance, stand out as some of his most deeply felt poems”.

Rexroth must also be respected not only for his ability to create beautiful diction, but for his ability to translate and convey character through his poetry. Some of his poems were written in the voice of an ancient Japanese woman. This selection of verse exemplifies Rexroth’s ability to convey the erotic with a sense of wisdom and beauty. These are perhaps the poet’s most enchanting and elusive of his writings.

Runaway ( Top of Page )

There are sparkles of rain on the bright
Hair over your forehead;
Your eyes are wet and your lips
Wet and cold, your cheek rigid with cold.
Why have you stayed
Away so long, why have you only
Come to me late at night
After walking for hours in wind and rain?
Take off your dress and stockings;
Sit in the deep chair before the fire.
I will warm your feet in my hands;
I will warm your breasts and thighs with kisses.
I wish I could build a fire
In you that would never go out.
I wish I could be sure that deep in you
Was a magnet to draw you always home.

Yin and Yang ( Top of Page )

It is spring once more in the Coast Range
Warm, perfumed, under the Easter moon.
The flowers are back in their places.
The birds are back in their usual trees.
The winter stars set in the ocean.
The summer stars rise from the mountains.
The air is filled with atoms of quicksilver.
Resurrection envelops the earth.
Goemetrical, blazing, deathless,
Animals and men march through heaven,
Pacing their secret ceremony.
The Lion gives the moon to the Virgin.
She stands at the crossroads of heaven,
Holding the full moon in her right hand,
A glittering wheat ear in her left.
The climax of the rite of rebirth
Has ascended from the underworld
Is proclaimed in light from the zenith.
In the underworld the sun swims
Between the fish called Yes and No.

Floating ( Top of Page )

Our canoe idles in the idling current
Of the tree and vine and rush enclosed
Backwater of a torpid midwestern stream;
Revolves slowly, and lodges in the glutted
Waterlilies. We are tired of paddling.
All afternoon we have climbed the weak current,
Up dim meanders, through woods and pastures,
Past muddy fords where the strong smell of cattle
Lay thick across the water; singing the songs
Of perfect, habitual motion; ski songs,

Nightherding songs, songs of the capstan walk,
The levee, and the roll of the voyageurs.
Tired of motion, of the rhythms of motion,
Tired of the sweet play of our interwoven strength,
We lie in each other’s arms and let the palps
Of waterlily leaf and petal hold back
All motion in the heat thickened, drowsing air.
Sing to me softly, Westron Wynde, Ah the Syghes,
Mon coeur se recommend à vous, Phoebi Claro;
Sing the wandering erotic melodies
Of men and women gone seven hundred years,
Softly, your mouth close to my cheek.
Let our thighs lie entangled on the cushions,
Let your breasts in their thin cover
Hang pendant against my naked arms and throat;
Let your odorous hair fall across our eyes;
Kiss me with those subtle, melodic lips.
As I undress you, your pupils are black, wet,
Immense, and your skin ivory and humid.
Move softly, move hardly at all, part your thighs,
Take me slowly while our gnawing lips
Fumble against the humming blood in our throats.
Move softly, do not move at all, but hold me,
Deep, still, deep within you, while time slides away,
As the river slides beyond this lily bed,
And the thieving moments fuse and disappear
In our mortal, timeless flesh.

Confusion ( Top of Page )

I pass your home in a slow vermilion dawn,
The blinds are drawn, and the windows are open.
The soft breeze from the lake
Is like your breath upon my cheek.
All day long I walk in the intermittent rainfall.
I pick a vermilion tulip in the deserted park,
Bright raindrops cling to its petals.
At five o’clock it is a lonely color in the city.
I pass your home in a rainy evening,
I can see you faintly, moving between lighted walls.
Late at night I sit before a white sheet of paper,
Until a fallen vermilion petal quivers before me.

the Woodie Guthrie Museum -New York

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the Woodie Guthrie Museum -New York

I REALLY DIG WOODIE GUTHRIE AND THIS POST WOULD BE NOTHING WITHOUT A WOODIE SONG-SO HERE GOES “RIDING IN THE CAR”

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Finding Guthrie in Manhattan

A small museum for a wandering minstrel.

By Kathleen Sampey
ASSOCIATED PRESS

NEW YORK — Standing before a New York audience in 1963, Bob Dylan gave a rare, spoken tribute to his musical hero: “And where do you look for this hope that you’re seekin’?” he asked. “You’ll find Woody Guthrie in the Brooklyn State Hospital.”
Guthrie died four years later, but his memory lives on at the Woody Guthrie Archive.

In adjoining offices on West 57th Street not much bigger than two cubicles, the archive contains about 10,000 artifacts related to the folksinger, who gave a voice to the down-and-out in the 1930s and ’40s with songs praising labor unions, Jesus Christ, and “Pretty Boy” Floyd.

On every wall, Guthrie’s earnest yet puckish countenance stares down from posters and photos. True to his spirit, you don’t need any “do re mi” to visit — the archive is available by appointment for free. “A lot of young guys show up with their guitars,” archivist George Arevalo said. “They’re interested in mining the song lyrics for inspiration. “We get writers, researchers, journalists, and students doing dissertations. We had one young guy come up who was writing a book on famous dishwashers. And wouldn’t you know, Woody was once a dishwasher.”

Guthrie was plenty more: social crusader, essayist, painter, environmentalist, recording artist, and influence to a generation of folk-rock artists from Dylan to Bruce Springsteen and more.

Born in Okemah, Okla., in 1912, he traveled the country during the Depression, playing a guitar that had the slogan “This machine kills fascists” pasted onto it.

The songs he wrote and sang with his reedy tenor, including “Do Re Mi,” “Dust Bowl Blues” and “Union Maid,” were a testament to the suffering he witnessed among the poor and the powerless. Those and other recordings of Guthrie performing solo and with contemporaries such as Pete Seeger and the Weavers are part of the archive, and can be sampled.

Joe Klein, author of Woody Guthrie: A Life, called Guthrie the patron saint of teenage rebelliousness.

“There’s always someone who’s sick of the way things are in town who hops a train and heads west,” Klein said. “That is a very classically American image. He and Leadbelly [ Huddie Ledbetter ] together are the fathers of rock and roll and gangster rap.”

The bulk of the Guthrie archives came from the singer’s business manager, Harold Leventhal, who was given numerous boxes of Guthrie’s doodlings, musings and unpublished lyrics by the second of Guthrie’s three wives, Marjorie, in 1961. The boxes sat in Leventhal’s office, where the archive is now organized, until the early 1990s.

Starting with a $100,000 donation from recording artists and companies, Leventhal and Guthrie’s daughter Nora hired Arevalo. With their assistant, Amy Danelian, they began organizing and restoring the works. The archive opened in April.

Among the most requested items for viewing is a framed sheet of paper with the original handwritten lyrics to Guthrie’s most famous song, “This Land Is Your Land.” It shows the original title and chorus, “God Blessed America.” The title and some lyrics were crossed out and reworked, and the piece is signed “Woody G., Feb. 23, 1940.”

For Nora Guthrie, who was 17 when her father died, organizing the archives allowed her to get to know her father, who had been ill all her life.

“You know how you never think your parents are really interesting?” she asked with a laugh. “I knew he was famous, and people liked his songs. But my first impression when going through the archives was that this guy had something, especially in his thoughts about women. For a long time, he had mostly been a ‘guy’ thing.”

She was particularly touched by a poem, “I Say to You Woman and Man,” which her father wrote when the family lived in the Coney Island section of Brooklyn in the mid-1940s, before she was born.

“In it he basically tells the woman that she has a lot of power and a lot of juice and lot of beauty, and that she should go out there and go for it,” Nora Guthrie said. “He says go dance, your life, your politics, your music, your voice.”

The archive is rich with personal glimpses of her father. Some 600 of his artworks, done in marker and watercolor on everything from construction paper to paper towels, can also be viewed. They are so fragile that Arevalo wears white cotton gloves to handle them.

Several are serious studies of the human form; others are bawdy cartoons of the same. Still others are loving portraits, such as the pencil sketch of his oldest daughter drawn in the Guthrie home in Coney Island. “Cathy’s Got the Mumps” was dated 1946, the year the little girl died in a fire. The tragedy was one of many in Guthrie’s life. His sister also died in a fire; a son died in a car accident; his mother succumbed to Huntington’s disease, a genetic neurological disorder that took 15 years to kill Guthrie and, later, two of his eight children.

And in the 1950s, Guthrie was blacklisted, which prompted a typically glib response: “I ain’t a Communist necessarily, but I been in the red all my life.”

Arevalo said that many private collectors and auction houses have approached Nora Guthrie, hoping to buy portions of the archive, but were rebuffed. The archive is a national treasure, and should be preserved as such, he said.

In conjunction with the Smithsonian Institution, the archivists are putting together a Guthrie traveling exhibit to open in Sacramento, Calif., in March. It’s part of a fund-raising effort to expand and preserve the archive.

Arevalo’s wish list includes transferring some of the 8mm home movies of Guthrie to video for use in the traveling exhibit. And he hopes to digitize the 700 photographs in the archive so visitors can call them up on a computer.

As for Guthrie’s social and musical legacy, his daughter wants people to recognize that “in his time he was more of a rolling stone. But that stone has stopped and turned into a foundation for other people to build on.”

These Incredible, Photorealistic Drawings Will Make You Wonder How a Human Hand Could Create Images So Lifelike

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These Incredible, Photorealistic Drawings Will Make You Wonder How a Human Hand Could Create Images So Lifelike

These Incredible, Photorealistic Drawings Will Make You Wonder How a Human Hand Could Create Images So Lifelike

By Lauren Mobertz | Dec 17, 2013 | 16
Posted in Art · Best of Lists · Design · Entertainment · Images · Offbeat · People

Karla Mialynne art supplies

Despite our modern technologically savvy ways, sometimes the best art is made through the simplest mediums. Take artist Hikaru Cho, for example, who paints imaginative scenes directly onto human bodies. Refusing to use Photoshop, Cho challenges herself to create realistic scenes with her bare hands. Hers is a work-intensive process that produces a realistic interplay between the real and the illustrated, and onlookers are immediately impressed by her work. If Cho merely printed computer-generated doodles onto paper and taped them to her subjects’ bodies, her work would not look as believable and would not leave so large an impression in her followers’ memories.

Karla Mialynne is another meticulous artist who enjoys using old school mediums. Most often using only pencils, pens, watercolors and inks Mialynne creates photorealistic illustrations of random objects, animals and even people. It would be hard not to mistake Mialynne’s illustrations for photographs if she didn’t document each drawing beside the tools she used to create it.

This celebration of simplicity and love for painstaking work have earned Mialynne a place in our list of favorite artists. You can find some of Mialynne’s illustrations below, and visit her Tumblr for a behind-the-scenes look at her creative process.

http://www.stumbleupon.com/su/32pHxz/:M!q7pNNw:bn_-!h6l/dashburst.com/pic/photorealistic-pencil-marker-drawings/karla-mialynne-bird

karla-mialynne-chameleon

karla-mialynne-owl

karla-mialynne-woman-feathers-hair

Despite our modern technologically savvy ways, sometimes the best art is made through the simplest mediums. Take artist Hikaru Cho, for example, who paints imaginative scenes directly onto human bodies. Refusing to use Photoshop, Cho challenges herself to create realistic scenes with her bare hands. Hers is a work-intensive process that produces a realistic interplay between the real and the illustrated, and onlookers are immediately impressed by her work. If Cho merely printed computer-generated doodles onto paper and taped them to her subjects’ bodies, her work would not look as believable and would not leave so large an impression in her followers’ memories.

lace-up-foot-hikaru-cho-685x913 Taking-an-X-ray-hikaru-cho-685x988 The-spine-fixer-Mr-Tokoro-hikaru-cho-685x1217

http://www.stumbleupon.com/su/32pHxz/:M!q7pNNw:bn_-!h6l/dashburst.com/pic/photorealistic-pencil-marker-drawings/