Tag Archives: hippies

let’s not forget the hippies

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Hippies

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“Hippies” redirects here. For the British comedy series, see Hippies (TV series). For the garage rock album, see Hippies (album).

Hippie woman giving a peace sign, Los Angeles, 1969

The hippie (or hippysubculture was originally a youth movement that arose in the United States during the mid-1960s and spread to other countries around the world. The word ‘hippie’ came from hipster, and was initially used to describe beatniks who had moved into New York City’s Greenwich Village and San Francisco’s Haight-Ashbury district. The origins of the terms hip and hep are uncertain, though by the 1940s both had become part ofAfrican American jive slang and meant “sophisticated; currently fashionable; fully up-to-date”.[1][2][3] The Beats adopted the term hip, and early hippies inherited the language andcountercultural values of the Beat Generation. Hippies created their own communities, listened to psychedelic music, embraced the sexual revolution, and used drugs such ascannabisLSD, and psilocybin mushrooms to explore altered states of consciousness.

In January 1967, the Human Be-In in Golden Gate Park in San Francisco popularized hippie culture, leading to the Summer of Love on the West Coast of the United States, and the 1969 Woodstock Festival on the East Coast. Tom Nolan was one major leader of the hippie movement. Hippies in Mexico, known as jipitecas, formed La Onda and gathered atAvándaro, while in New Zealand, nomadic housetruckers practiced alternative lifestyles and promoted sustainable energy at Nambassa. In the United Kingdom, mobile “peace convoys” of New age travellers made summer pilgrimages to free music festivals at Stonehenge and later (in 1970) to the gigantic Isle of Wight Festival with a crowd of around 400,000 people.[4]In Australia hippies gathered at Nimbin for the 1973 Aquarius Festival and the annual Cannabis Law Reform Rally or MardiGrass. “Piedra Roja Festival“, a major hippie event in Chile, was held in 1970.[5]

Hippie fashions and values had a major effect on culture, influencing popular music, television, film, literature, and the arts. Since the 1960s, many aspects of hippie culture have been assimilated by mainstream society. The religious and cultural diversity espoused by the hippies has gained widespread acceptance, and Eastern philosophy and spiritual concepts have reached a larger audience. The hippie legacy can be observed in contemporary culture in myriad forms, including health foodmusic festivalscontemporary sexual mores, and even the cyberspace revolution.[6]

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KEN KESEY’S SON IS PLANNING A SEQUEL TO HIS DAD’S LEGENDARY,ACID FUELED BUS TRIP

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 Ken Kesey’s Son Is Planning a Sequel to His Dad’s Legendary, Acid-Fueled Bus Trip

By River Donaghey

 

Photo of the new bus courtesy of the Kickstarter page

In 1964, Ken Kesey—intrepid psychedelic traveler and author of One Flew Over the Cuckoo’s Nestpiled into a multicolored school bus with his friends and a bunch of drugs and drove from La Honda, California, to New York City for the premiere of Kesey’s new novel. The gaggle of proto-hippies traveling with Kesey were dubbed the “Merry Pranksters,” and their goal was to freak the fuck out of Middle America and document the whole thing for a feature-length film.

The movie they wanted to make never quite came to fruition, but the trip, and the Pranksters’ subsequent LSD antics, were cemented in history in Tom Wolfe’s 1968 book, Electric Kool-Aid Acid Test.

This year marks the 50th anniversary of the iconic Prankster adventure, and Kesey’s son, Zane, is looking to raise $27,500 to take the Pranksters’ psychedelic trip all over again. The original 1939 Harvester bus—named “Furthur”—is currently rusting in a swamp behind the Kesey Farm in Oregon, but Zane has a new one, and it’s even more decked-out than the original. If you want to get on the bus, you can donate $200 or more to be considered for the trip. And if you were off the bus in the first place, as Kesey once said, then it won’t make a damn.

If the Kickstarter hits its goal the new bus with its new Pranksters will be swinging through America later this summer. I called up Zane to learn a little more about the trip.

VICE: Hey, Zane. How long has the Kickstarter campaign been going on?
Zane Kesey:
Like three weeks. We’re around halfway to our goal and have a week left.

Do you already know who will be onboard?
There have been 20 or 30 applications sent in. If you donate $200, we’ll give you a bunch of cool Prankster stuff—but you also get to apply to ride on the trip with us, be part of the movie that we’re making, and become a Merry Prankster. Even if we don’t choose you, we’ll still send you a Merry Prankster laminate. It will get you on the bus whenever we go parading through your town.

I know you haven’t planned the whole journey out yet, but are any stops lined up?
We’re going cross-country and hitting a few really good festivals along the way. Lockn’ Festival in Virginia is a big one. Furthur, the Grateful Dead side project that is named after the bus, is playing.

That’s cool.
We’ll be at their only concert this year, at the final Allman Brothers concert, and then at Phases of the Moon Festival in Illinois. Then we’ll head to this art festival called Great North up in Maine, which has the best artists from across the country. We’re hoping they will paint on the bus.

This isn’t the first Furthur bus, right? This is Furthur 2.0.
It’s not the 1939, no. This one is from 1947. My dad had it for a long time. He actually put way more miles on this one than he did on the original one… even took it to England and Ireland.

A lot of the toys on the bus—like the short-wave radio broadcaster—are either going to be fixed or upgraded. We want it to have WiFi so we can be working on the blog and posting pictures and videos from the road.

The original Furthur bus

What can people do to maximize their chances of making it onto the bus?
If you’re good at being a character or if you have equipment and want to come film, you’re going to rise to the top of the people we need. We also need people taking pictures for the blog and updating the website and blowing bubbles for the kids. All that stuff is really important.

Will riders be chosen for the whole stretch?
People will mostly be chosen for weeklong legs of the trip. So far there are only two or three of us who are essential. Derek Stevens is the tour manager. He is the one who talked me into this. I thought it was impossible, but after about a year of discussing it, he made it sound like it could really be fun.

Your dad’s original trip became a huge part of the story of the 60s. Will this new adventure be about preserving the legacy, or will it be a whole new chapter?
There are two different things that we’re after: One is we want to create a movie of us out there—having fun in the moment. We’re also trying to remind people of that innocent seed that started the 60s. The Pranksters weren’t out there trying to end the war or change the world; they were trying to have fun and go across the country just doing their thing.

Right.
In the 60s, everything was all so new and so fresh that it couldn’t be ignored. Now they don’t mind ignoring us at all. The hippie movement has fractured. People look at us now like we’re these dirty, confrontational people who just want to argue about government and taxes and the environment. That’s not necessarily where the movement started.

We need to get some of that innocence and fun and approachability back. Once we do that, we can reclaim some of the power that the 60s had.

The Furthur 50th anniversary Kickstarter ends on May 28. Donate here and hit the $200 mark for a chance to get on the bus.

Follow River Donaghey on Twitter.

For a few years in the 1960s, London was the world capital of cool

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TO SET THE MOOD MUSIC -THE BRITISH INVASION

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ENGLAND IN THE 60’S ARTICLE 1

Ancient elegance and new opulence are all tangled up in a dazzling blur of op and pop.

Piri Halasz writing in Time magazine, April 1966

For a few years in the 1960s, London was the world capital of cool. When Time magazine dedicated its 15 April 1966 issue to London: the Swinging City, it cemented the association between London and all things hip and fashionable that had been growing in the popular imagination throughout the decade.

ENGLAND IN THE 60’S ARTICLE 2

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London’s remarkable metamorphosis from a gloomy, grimy post-War capital into a bright, shining epicentre of style was largely down to two factors: youth and money. The baby boom of the 1950s meant that the urban population was younger than it had been since Roman times. By the mid-60s, 40% of the population at large was under 25. With the abolition of National Service for men in 1960, these young people had more freedom and fewer responsibilities than their parents’ generation. They rebelled against the limitations and restrictions of post-War society. In short, they wanted to shake things up…

Added to this, Londoners had more disposable income than ever before – and were looking for ways to spend it. Nationally, weekly earnings in the ‘60s outstripped the cost of living by a staggering 183%: in London, where earnings were generally higher than the national average, the figure was probably even greater.

This heady combination of affluence and youth led to a flourishing of music, fashion, design and anything else that would banish the post-War gloom. Fashion boutiques sprang up willy-nilly. Men flocked to Carnaby St, near Soho, for the latest ‘Mod’ fashions. While women were lured to the King’s Rd, where Mary Quant’s radical mini skirts flew off the rails of her iconic store, Bazaar.

Even the most shocking or downright barmy fashions were popularised by models who, for the first time, became superstars. Jean Shrimpton was considered the symbol of Swinging London, while Twiggy was named The Face of 1966. Mary Quant herself was the undisputed queen of the group known as The Chelsea Set, a hard-partying, socially eclectic mix of largely idle ‘toffs’ and talented working-class movers and shakers.

Music was also a huge part of London’s swing. While Liverpool had the Beatles, the London sound was a mix of bands who went on to worldwide success, including The Who, The Kinks, The Small Faces and The Rolling Stones. Their music was the mainstay of pirate radio stations like Radio Caroline and Radio Swinging England. Creative types of all kinds gravitated to the capital, from artists and writers to magazine publishers, photographers, advertisers, film-makers and product designers.

But not everything in London’s garden was rosy. Immigration was a political hot potato: by 1961, there were over 100,000 West Indians in London, and not everyone welcomed them with open arms. The biggest problem of all was a huge shortage of housing to replace bombed buildings and unfit slums and cope with a booming urban population. The badly-conceived solution – huge estates of tower blocks – and the social problems they created, changed the face of London for ever. By the 1970s, with industry declining and unemployment rising, Swinging London seemed a very dim and distant memory.

 

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Introduction by Dominic Sandbrook

In October 1965, the Prime Minister, Harold Wilson, officially opened London’s new Post Office Tower. A gleaming cylinder of metal and glass, the tower could hardly have been a more fitting symbol of the scientific optimism of a self-consciously ‘go-ahead’ decade. It was a monument not just to the white heat of the technological revolution, but to the sheer self-confidence of a society basking in unprecedented prosperity. From the new tower blocks springing up in cities across the country to the radios in teenagers’ bedrooms, from Beatles hits and Bond films to comprehensive schools and nuclear power stations, Sixties Britain seemed – superficially at least – to be a country reborn in the crucible of affluence.

In some ways, the cliches of the 1960s ring absolutely true. With the economy buoyant, unemployment almost non-existent and wages steadily rising, millions of families bought their first cars, washing machines, fridges and televisions. Millions of teenagers, too, were transfixed by the sound of Radio Caroline and the look of Mary Quant — although, then as now, Carnaby Street catered more for tourists and day-trippers than the tiny handful at the cutting edge of fashion. Television transformed the imaginative landscape of almost every household in the country, not merely through pictures of faraway places, but through satirical programmes such as That Was the Week That Was. Even the nation’s diet was changing, transformed not just by the arrival of foreign imports from chicken tikka masala to spaghetti bolognese, but by the relentless advance of the supermarket.

Beneath the glamorous veneer of swinging London, however, Britain under Harold Macmillan, Sir Alec Douglas-Home and Harold Wilson remained a remarkably conservative, even anxious society. Intellectuals worried that affluence and mass communications were undermining traditional working-class culture; in the Pilkington Report, published in 1962, it was hard to miss the disdain for commercial television. Meanwhile, despite the much-discussed stereotype of the ‘permissive society’, popular attitudes to moral and sexual issues remained strikingly slow to change. For all the excitement surrounding the landmark Lady Chatterley’s Lover trial in 1960, or the liberalisation of the divorce, abortion and homosexuality laws later in the decade, most people held similar attitudes to their parents; in this respect, the generation gap was a media invention.

And although students marched on the US embassy in protest at the Vietnam War, or staged sit-ins at universities such as the London School of Economics, it is easy to forget that only one in ten young people became students. Polls showed that like their elders, most young people still supported the death penalty and were uneasy about large-scale Commonwealth immigration; by the end of the decade, it is probably no exaggeration to say that the Conservative maverick Enoch Powell, who was kicked off his party’s front bench after his notorious ‘rivers of blood’ speech, was the most popular politician in the country. Even Mary Whitehouse, a ferocious critic of televised obscenity, especially on the BBC, commanded the instinctive support of tens, perhaps even hundreds of thousands of people.

By the end of the 1960s, the contradictions at the heart of the affluent society were becoming increasingly apparent. Despite Harold Wilson’s promises of endless growth thanks to his National Plan, the economy was running into serious trouble. The Aberfan catastrophe in 1966, the devaluation of the pound a year later and the Ronan Point disaster a year after that all hinted at the political and social traumas that would blight the following decade. Perhaps most ominously, Wilson’s last stab at modernisation, the trade union reforms outlined in the White Paper In Place of Strife, fell apart completely in 1969. A year later, the public punished the Labour government for its perceived under-achievement. A new and much unhappier era was at hand.

Dominic Sandbrook is the author of ‘White Heat: A History of Britain in the Swinging Sixties’.

A brief recollection-doll006

In 1965 My best friend Linda and I were walking barefoot along Tower Bridge when we came face to face with Harold WIlson, he smiled and walked on. We giggled, flabbergasted that he would acknowledge a couple of hippies.

A WALK ACROSS TOWER BRIDGE

 

 

“WHEN IN DOUBT DRINK TEA”   Ana Christy

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WARRIORS OF THE RAINBOW
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imagesHT3C6BZS Rainbow-Gathering-Montana-201350 images (341) 187324869_2f239ee41d images (340) images (339) images (338)WARRIORS OF THE RAINBOW

 

Since 1972, every summer, thousands of nature lovers from all walks of life go on a journey to a gathering in remote national forests across North America to experience the viability of living in a cooperative community in harmony with the earth. The annual “Rainbow Gathering” in the US draws thousands over the first week of July, focusing on the 4th (national holiday) as a holy day of meditation and prayer for peace and freedom. In “Warriors of the Rainbow” Ram Dass ( the man who helped spark both the East-West spiritual revolution and the psychedelic revolutions), Art Goodtimes and others Rainbow Warriors express their love and hope for the future of humankind.
You are welcome to visit our facebook page at
facebook.com/Warriors.of.the.Rainbow
For more info check the site pediaview.com/openpedia/Rainbow_Gathering

WARRIORS OF THE RAINBOW

The counterculture of the 1960s was marked by a growing distrust of government

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The counterculture of the 1960s was marked by a growing distrust of government

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The American Counterculture refers to the period between 1964-1972 when the norms of the 1950s were rejected by youth.
Key Points

◾Counterculture youth rejected the cultural standards of their parents, especially with respect to racial segregation, the Vietnam War, sexual mores, women’s rights, and materialism.

◾Hippies were the largest countercultural classification comprising mostly white members of the middle class.

The counterculture movement divided the country.

◾The movement died in the early 1970s because most of their goals had become mainstream, and because of rising economic troubles.
Terms

◾quash

To defeat forcibly.

◾stagflation

Inflation accompanied by stagnant growth, unemployment or recession.

◾counterculture

Any culture whose values and lifestyles are opposed to those of the established mainstream culture, especially to western culture.

A counterculture developed in the United States in late 1960s. This movement lasted from approximately 1964 to 1972, and it coincided with America’s involvement in Vietnam. A counterculture is the rejection of conventional social norms – in this case the norms of the 1950s . The counterculture youth rejected the cultural standards of their parents, specifically racial segregation and initial widespread support for the Vietnam War.

Woodstock Youth

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This photo was taken near the Woodstock Music Festival in August, 1969. The counterculture in the 1960s was characterized by young people breaking away from the traditional culture of the 1950s.

As the 1960s progressed, widespread tensions developed in American society that tended to flow along generational lines regarding the war in Vietnam , race relations, sexual mores, women’s rights, traditional modes of authority, and a materialist interpretation of the American Dream. White, middle class youth, who made up the bulk of the counterculture, had sufficient leisure time to turn their attention to social issues, thanks to widespread economic prosperity.

Vietnam War Protest

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The counterculture of the 1960s was marked by a growing distrust of government
, which included anti-war protests like this.
Unconventional appearance, music, drugs, communitarian experiments, and sexual liberation were hallmarks of the sixties counterculture, most of whose members were white, middle-class young Americans. Hippies became the largest countercultural group in the United States . The counterculture reached its peak in the 1967 “Summer of Love,” when thousands of young people flocked to the Haight-Ashbury district of San Francisco. The counterculture lifestyle integrated many of the ideals and indulgences of the time: peace, love, harmony, music, and mysticism. Meditation, yoga, and psychedelic drugs were embraced as routes to expanding one’s consciousness.

The Peace Sign
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The peace sign became a major symbol of the counterculture of the 1960s.

Rejection of mainstream culture was best embodied in the new genres of psychedelic rock music, pop-art, and new explorations in spirituality. Musicians who exemplified this era include The Beatles, The Grateful Dead, Jefferson Airplane, Jimi Hendrix, The Doors, The Rolling Stones, Neil Young, Bob Dylan, Janis Joplin, and Pink Floyd.

New forms of musical presentation also played a key role in spreading the counterculture, mainly large outdoor rock festivals. The climactic live statement of this occurred from August 15–18, 1969, with the Woodstock Music Festival held in Bethel, New York. During this festival, 32 of rock and psychedelic rock’s most popular acts performing live outdoors over the course of a weekend to an audience of half a million people.

Countercultural sentiments were expressed in song lyrics and popular sayings of the period, such as “do your own thing,” “turn on, tune in, drop out,” “whatever turns you on,” “eight miles high,” “sex, drugs, and rock ‘n’ roll,” and “light my fire. ” Spiritually, the counterculture included interest in astrology, the term “Age of Aquarius,” and knowing people’s signs.

The counterculture movement divided the country. To some Americans, these attributes reflected American ideals of free speech, equality, world peace, and the pursuit of happiness. To others, the counterculture movement reflected a self-indulgent, pointlessly rebellious, unpatriotic, and destructive assault on America’s traditional moral order.

In an effort to quash the movement, authorities banned the psychedelic drug LSD, restricted political gatherings, and tried to enforce bans on what they considered obscenity in books, music, theater, and other media. In the end, the counterculture collapsed on its own around 1973.

Two main reasons are cited for the collapse. First, the most popular of the movement’s political goals—civil rights, civil liberties, gender equality, environmentalism, and the end of the Vietnam War—were accomplished (to at least a significant degree), and its most popular social attributes, particularly a “live and let live” mentality in personal lifestyles (the “sexual revolution”)—were co-opted by mainstream society. Second, a decline of idealism and hedonism occured as many notable counterculture figures died and the rest settled into mainstream society and started their own families.

The “magic economy” of the 1960s gave way to the stagflation of the 1970s, the latter costing many middle-class Americans the luxury of being able to live outside conventional social institutions. The counterculture, however, continues to influence social movements, art, music, and society in general, and the post-1973 mainstream society has been in many ways a hybrid of the 1960s establishment and counterculture—seen as the best (or the worst) of both worlds.

best #movies of the #60’s

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best #movies of the #60’s

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  1. Lawrence of Arabia – (1962, David Lean) (Peter O’Toole, Alec Guinness)
  2. Psycho – (1960, Alfred Hitchcock) (Anthony Perkins, Janet Leigh)
  3. Dr. Strangelove… – (1964, Stanley Kubrick) (Peter Sellers, George C. Scott)
  4. 8 1/2 – (1963, Federico Fellini) (Marcello Mastroianni, Claudia Cardinale)
  5. 2001: A Space Odyssey – (1968, Stanley Kubrick) (Keir Dullea, Gary Lockwood)
  6. Once Upon a Time in the West – (1968, Sergio Leone) (Henry Fonda, Charles Bronson)
  7. To Kill a Mockingbird – (1962, Robert Mulligan) (Gregory Peck, Mary Badham)
  8. Midnight Cowboy – (1969, John Schlesinger) (Dustin Hoffman, Jon Voight)
  9. Bonnie and Clyde – (1967, Arthur Penn) (Warren Beatty, Faye Dunaway)
  10. La Dolce Vita – (1960, Federico Fellini) (Marcello Mastroianni, Anouk Aimee)
  11. The Good, the Bad and the Ugly – (1966, Sergio Leone) (Clint Eastwood, Lee Van Cleef, Eli Wallach)
  12. The Graduate – (1967, Mike Nichols) (Dustin Hoffman, Anne Bancroft, Katharine Ross)
  13. Breathless – (1960, Jean-Luc Godard) (Jean-Paul Belmondo, Jean Seberg)
  14. The Yojimbo – (1961, Akira Kurosawa) (Toshiro Mifune, Tatsuya Nakadai)
  15. Wild Bunch – (1969, Sam Peckinpah) (William Holden, Ernest Borgnine)
  16. Persona – (1966, Ingmar Bergman) (Liv Ullmann, Bibi Andersson)
  17. The Leopard – (1963, Luchino Visconti) (Burt Lancaster, Claudia Cardinale)
  18. L’Avventura – (1960, Michelangelo Antonioni) (Gabriele Ferzetti, Monica Vitti)
  19. The Apartment – (1960, Billy Wilder) (Jack Lemmon, Shirley MacLaine)
  20. The Manchurian Candidate – (1962, John Frankenheimer) (Frank Sinatra, Laurence Harvey)
  21. Easy Rider – (1969, Dennis Hopper) (Peter Fonda, Dennis Hopper, Jack Nicholson)
  22. Last Years at Marienbad – (1961, Alain Resnais) (Delphine Seyrig, Giorgio Albertazzi)
  23. West Side Story – (1961, Jerome Robbins, Robert Wise) (Natalie Wood, Richard Beymer)
  24. Cool Hand Luke – (1967, Stuart Rosenberg) (Paul Newman, George Kennedy, Strother Martin)
  25. The Battle of Algiers – (1966, Gillo Pontecorvo) (Brahim Hadjadj, Jean Martin)
  26. Doctor Zhivago – (1965, David Lean) (Omar Sharif, Julie Christie)
  27. A Hard Day’s Night – (1964, Richard Lester) (The Beatles, Wilfrid Brambell, Norman Rossington)
  28. Alphaville – (1965, Jean-Luc Godard) (Eddie Constantine, Anna Karina)
  29. The Music Man – (1962, Morton DaCosta) (Robert Preston, Shirley Jones, Buddy Hackett)
  30. Spartacus – (1960, Stanley Kubrick) (Kirk Douglas, Laurence Olivier, Jean Simmons)
  31. Peeping Tom – (1960, Michael Powell) (Karlheinz Bühm, Moira Shearer)
  32. The Umbrellas of Cherbourg – (1964, Jacques Demy) (Catherine Deneuve, Nino Castelnuovo)
  33. The Sound of Music – (1965, Robert Wise) (Julie Andrews, Christopher Plummer)
  34. Medium Cool – (1969, Haskell Wexler) (Christine Bergstrom, Harold Blankenship)
  35. The Producers – (1968, Mel Brooks) (Zero Mostel, Gene Wilder)
  36. Planet of the Apes – (1968, Franklin J. Schaffner) (Charlton Heston, Roddy McDowell)
  37. In the Heat of the Night – (1967, Norman Jewison) (Sidney Poitier, Rod Steiger, Warren Oates)
  38. Marat/Sade – (1966, Peter Brook) (Patrick Magee, Ian Richardson, Glenda Jackson)
  39. Belle de jour – (1967, Luis Buñuel) (Catherine Deneuve, Jean Sorel)
  40. Andrei Rublev – (1966, Andrei Tarkovsky) (Anatoli Solonitsyn, Ivan Lapikov)
  41. Blow-Up – (1966, Michelangelo Antonioni) (David Hemmings, Vanessa Redgrave, Sarah Miles)
  42. The Birds – (1963, Alfred Hitchcock) (Rod Taylor, Tippi Hedren, Jessica Tandy)
  43. Tom Jones – (1963, Tony Richardson) (Albert Finney, Susannah York, Hugh Griffith)
  44. Night of the Living Dead – (1968, George A. Romero) (Duane Jones, Judith O’Dea)
  45. The Hustler – (1961, Robert Rossen) (Paul Newman, Jackie Gleason, George C. Scott)
  46. My Fair Lady – (1964, George Cukor) (Audrey Hepburn, Rex Harrison, Wilfrid Hyde-White)
  47. Goldfinger – (1964, Guy Hamilton) (Sean Connery, Gert Fröbe, Honor Blackman)
  48. Woman in the Dunes – (1964, Hiroshi Teshigahara) (Eiji Okada, Kyôko Kishida)
  49. The Man Who Shot Liberty Valance – (1962, John Ford) (John Wayne, James Stewart, Vera Miles)
  50. Butch Cassidy and the Sundance Kid – (1969, George Roy Hill) (Paul Newman, Robert Redford)
  51. Rosemary’s Baby – (1968, Roman Polanski) (Mia Farrow, John Cassavetes, Ruth Gordon)

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52.(1966, Jiri Menzel) (Václav Neckár, Josef Somr)
53. Rocco and His Brothers – (1960, Luchino Visconti) (Alain Delon, Renato Salvatori)
54. Weekend – (1967, Jean-Loc Godard) (Mireille Darc, Jean Yanne)
55. Breakfast at Tiffany’s – (1961, Blake Edwards) (Audrey Hepburn, George Peppard, Patricia Neal)
56. The Longest Day – (1962, Ken Annakin) (Richard Burton, Robert Ryan, Henry Fonda)
57. Point Blank – (1967, John Boorman) (Lee Marvin, Angie Dickinson, Keenan Wynn)
58. Oliver! – (1968, Carol Reed) (Mark Lester, Ron Moody, Jack Wild, Oliver Reed)
59. Judgment at Nuremberg – (1961, Stanley Kramer) (Spencer Tracy, Burt Lancaster)
60. The Dirty Dozen – (1967, Robert Aldrich) (Lee Marvin, Ernest Borgnine, Charles Bronson)
61. Dog Star Man – (1964, Stan Brakhage) (Jane Brakhage, Stan Brakhage)
62. Bullitt – (1968, Peter Yates) (Steve McQueen, Jacqueline Bisset, Robert Vaughn)
63. Pierrot Le Fou – (1965, Jean-Loc Godard) (Jean-Paul Belmondo, Anna Karina)
64. Mary Poppins – (1964, Robert Stevenson) (Julie Andrews, Dick Van Dyke)
65. A Raisin in the Sun – (1961, Daniel Petrie) (Sidney Poitier, Claudia McNeil, Louis Gossett Jr.)
66. Romeo and Juliet – (1968, Franco Zeffirelli) (Leonard Whiting, Olivia Hussey)
67. The Shop On Main Street – (1965, Jan Kadar, Elmar Klos) (Ida Kaminska, Jozef Króner)
68. Funny Girl – (1968, William Wyler) (Barbra Streisand, Omar Sharif)
69. Hud – (1963, Martin Ritt) (Paul Newman, Melvyn Douglas, Patricia Neal)
70. In Cold Blood – (1967, Richard Brooks) (Robert Blake, Scott Wilson, John Forsythe)
71. Lolita – (1962, Stanley Kubrick) (Sue Lyon, Shelley Winters, Gary Cockrell)
72. The Pawnbroker – (1964, Sidney Lumet) (Rod Steiger, Geraldine Fitzgerald)
73. The Innocents – (1961, Jack Clayton) (Deborah Kerr, Peter Wyngarde, Michael Redgrave)
74. My Night at Maud’s – (1969, Eric Rohmer) (Jean-Louis Trintignant, Françoise Fabian)
75. Jules and Jim – (1962, Francois Truffaut) (Jeanne Moreau, Oskar Werner)
76. The Great Escape – (1963, John Sturges) (Steve McQueen, James Garner, Richard Attenborough)
77. Yellow Submarine – (1968, George Dunning) (Animation)
78. Repulsion – (1965, Roman Polanski) (Catherine Deneuve, Ian Hendry)
79. From Russia With Love – (1963, Terence Young) (Sean Connery, Robert Shaw, Daniela Bianchi)
80. Who’s Afraid of Virginia Woolf? – (1966, Mike Nichols) (Elizabeth Taylor, Richard Burton)
81. One Hundred and One Dalmatians – (1961, Clyde Geronimi) (Animation)
82. Elmer Gantry – (1960, Richard Brooks) (Burt Lancaster, Jean Simmons, Arthur Kennedy)
83. The Exterminating Angel – (1962, Luis Buñuel) (Silvia Pinal, Enrique Rambal)
84. Lilies of the Field – (1963, Ralph Nelson) (Sidney Poitier, Lilia Skala, Lisa Mann)
85. A Man for All Seasons – (1966, Fred Zinnemann) (Paul Scofield, Leo McKern, Robert Shaw)
86. Long Day’s Journey into Night – (1962, Sidney Lumet) (Katharine Hepburn, Ralph Richardson)
87. Ride the High Country – (1962, Sam Peckinpah) (Randolph Scott, Joel McCrea, Edgar Buchanan)
88. A Thousand Clowns – (1965, Fred Coe) (Jason Robards, Barbara Harris, Martin Balsam)
89. Le Trou – (1960, Jacques Becker) (Michel Constantin, Jean Keraudy)
90. Z – (1969, Costa-Gavras) (Yves Montand, Irene Papas, Jean-Louis Trintignant, Jacques Perrin)

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  1. The Pink Panther – (1964, Blake Edwards) (Peter Sellers, David Niven, Robert Wagner)
  2. Inherit the Wind – (1960, Stanley Kramer) (Spencer Tracy, Fredric March, Harry Morgan)
  3. The Haunting – (1963, Robert Wise) (Julie Harris, Claire Bloom, Richard Johnson)
  4. Shoot the Piano Player – (1960, Francois Truffaut) (Charles Aznavour, Marie Dubois)
  5. Cape Fear – (1962, J. Lee Thompson) (Robert Mitchum, Gregory Peck, Polly Bergen)
  6. Contempt – (1963, Jean-Luc Godard) (Brigitte Bardot, Michel Piccoli, Jack Palance)
  7. Red Desert – (1964, Michelangelo Antonioni) (Monica Vitti, Richard Harris)
  8. Georgy Girl – (1966, Silvio Narizzano) (James Mason, Lynn Redgrave, Alan Bates)
  9. Juliet of the Spirits – (1965, Federico Fellini) (Giulietta Masina, Sandra Milo)
  10. Darling – (1965, John Schlesinger) (Laurence Harvey, Julie Christie, Dirk Bogarde)

20 More Movies Worth Mentioning

  1. The Jungle Book – (1967, Wolfgang Reitherman) (Voices of: Phil Harris, Sebastian Cabot, Louis Prima)
  2. Faces – (1968, John Cassavetes) (John Marley, Gena Rowlands, Lynn Carlin)
  3. Playtime – 1967, Jacques Tati) (Jacques Tati, Barbara Dennek, Rita Maiden)
  4. Viridiana – (1961, Luis Bunuel) (Silvia Pinal, Francisco Rabal, Fernando Rey)
  5. Le Samouraï – 1967, Jean-Pierre Melville) (Alain Delon, François Périer, Nathalie Delon)
  6. If – (1968, Lindsay Anderson) (Malcolm McDowell, David Wood, Richard Warwick)
  7. Shock Corridor – (1963, Samuel Fuller) (Peter Breck, Constance Towers, Gene Evans)
  8. Through a Glass Darkly – (1961, Ingmar Bergman) (Gunnar Björnstrand, Harriet Andersson)
  9. Whatever Happened to Baby Jane? – (1962, Robert Aldrich) (Bette Davis, Joan Crawford, Victor Buono)
  10. My Life To Live – (1962, Jean-Luc Godard) (Anna Karina, Sady Rebbot, André S. Labarthe)
  11. Knife In The Water – (1962, Roman Polanski) (Leon Niemczyk, Jolanta Umecka)
  12. The Nutty Professor – (1963, Jerry Lewis) (Jerry Lewis, Stella Stevens, Del Moore)
  13. The Miracle Worker – (1962, Arthur Penn) (Patty Duke, Anne Bancroft, Victor Jory)
  14. Dr. No – (1962, Terence Young) (Sean Connery, Ursula Andress, Joseph Wiseman)
  15. War and Peace – (1968, Sergei Bondarchuk) (Lyudmila Savelyeva, Vyacheslav Tikhonov, Gennadi Ivanov)
  16. They Shoot Horses, Don’t They? – (1969, Sydney Pollack) (Jane Fonda, Michael Sarrazin, Susannah York)
  17. Memories of Underdevelopment – (1968, Tomás Gutiérrez Alea) (Sergio Corrieri, Daisy Granados)
  18. True Grit – (1969, Henry Hathaway) (John Wayne, Glen Campbell, Kim Darby)
  19. The Misfits – (1961, John Hutson) (Clark Gable, Marilyn Monroe, Montgomery Clift)
  20. High School – (1968, Frederick Wiseman) (Documentary)

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hippie quotes

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hippie quotes

200JPFGUMM0Hippie Quotes, Sayings, and Phrases

Hippie Quotes on Music

Work like you don’t need the money. Love like you’ve never been hurt. Dance like nobody’s watching.

-Satchel Paige

We’re more popular than Jesus now; I don’t know which will go first- rock and roll or Christianity.

-John Lennon

Do you believe in rock ‘n roll? Can music save your mortal soul?

-Don McLean

Down through all of eternity the crying of humanity, tis’ then when the hurdy gurdy man comes singing songs of love.

-Donovan

Do you believe in magic? Believe in the magic of a young girl’s soul? Believe in the magic of rock ‘n roll? Believe in the magic that can set you free?

-The Lovin’ Spoonful

The New York State Freeway’s closed, man. Far out!

-Arlo Guthrie

Good morning! What we have in mind is breakfast in bed for 400,000.

-Wavy Gravy at Woodstock

Let the sound take you away…

-Steppenwolf

There was a band playing in my head, and I felt like getting high

-Neil Young

We all sang the songs of peace

-Melanie

We all got up to dance. Oh, but we never got the chance!

-Don McLean

You know what rock musicians are? They are hung up, neurotic, over-weight hippies with sex problems.

-David Lee Roth

Love is a friendship set to music.

-Joseph Campbell

Hippies on Activism

Hippie Activism Quotes

There can’t be any large-scale revolution until there’s a personal revolution, on an individual level. It’s got to happen inside first.

-Jim Morrison

The first duty of a revolutionary is to get away with it.

-Abbie Hoffman

If you’re not part of the solution, you’re part of the problem.

-Eldridge Cleaver

You must be the change you wish to see in the world.

-Mahatma Ghandi

Never doubt that a small group of thoughful, committed individuals can change the world, indeed it’s the only thing that ever has.

-Margaret Meade

He who takes a stand is often wrong, but he who fails to take a stand is always wrong.

-Anonymous

They won’t give peace a chance, that’s just a dream some of us had

-Joni Mitchell

Hell no, we won’t go!

-Anti-war chant

Question Authority!

-Unknown

If I’m free, it’s because I’m always running.

-Jimi Hendrix

Masses are always breeding grounds of psychic epidemics.

-Carl Jung

Mother, should I trust the government?

-Pink Floyd

We all want to change the world.

-Beatles

Hippie Philosophy

Jack Kerouac

Hippie Quotes on Philosophy

Never pretend to a love which you do not actually feel, for love is not ours to command.

-Alan Watts

You’re either on the bus or off the bus.

-Ken Kesey

The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn, like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes “Awww!”

-Jack Kerouac

Kerouac opened a million coffee bars and sold a million pairs of Levis to both sexes. Woodstock rises from his pages.

-William S. Burroughs

When you’ve seen beyond yourself, then you may find, peace of mind is waiting there.

-George Harrison

Old hippies don’t die, they just lie low until the laughter stops and their time comes round again.

-Joseph Gallivan

Hippy is an establishment label for a profound, invisible, underground, evolutionary process. For every visible hippy, barefoot, beflowered, beaded, there are a thousand invisible members of the turned-on underground. Persons whose lives are tuned in to their inner vision, who are dropping out of the TV comedy of American Life.

-Timothy Leary

All I’m gonna do is just go on and do what I feel.

-Jimi Hendrix

It all depends on how we look at things, and not how they are in themselves.

-Carl Jung

Imagine no possesions, I wonder if you can, No need for greed or hunger, A brotherhood of man. Imagine all the people Sharing all the world.

-John Lennon

Hippies and Drugs

Hippie Quotes on Drugs

Herb is the healing of a nation, alcohol is the destruction.

-Bob Marley

His hair has the long jesuschrist look. He is wearing the costume clothes. But most of all, he now has a very tolerant and therefore withering attitude toward all those who are still struggling in the old activist political ways…while he, with the help of psychedelic chemicals, is exploring the infinite regions of human consciousness.

-Tom Wolfe

Purple Haze all in my brain, lately things don’t seem the same. Actin’ funny but I don’t know why. ‘Scuse me while I kiss the sky.

-Jimi Hendrix

Your mind is like a parachute, it doesn’t work unless it’s open.

-Jordan Maxwell

Dope will get you through times of no money better than money will get you through times of no dope.

-Fabulous Furry Freak Brothers

If you can remember the ’60s, then you weren’t there.

-Unknown

One pill makes you larger, and one pill makes you small. And the ones that mother gives you don’t do anything at all. Go ask Alice, when she’s ten feet tall.

-Jefferson Airplane

My advice to people today is as follows: If you take the game of life seriously, if you take your nervous system seriously, if you take your sense organs seriously, if you take the energy process seriously, you must turn on, tune in, and drop out.

-Timothy Leary

I get by with a little help from my friends, get high with a little help from my friends.

Hippie Quotes About Love

Follow your bliss and the universe will open doors where there were only walls.

-Joseph Campbell

Make Love, Not War

-Unknown

Love is all you need.

-Beatles

I’ll let you be in my dreams if I can be in yours.

-Unknown

Make Love, Not War

-Unknown

I do my thing, and you do your thing. I am not tin this world to live up to your expectations, and you are not in this world to live up to mine. You are you, and I am I, and if by chance we find each other, it’s beautiful.

-Frederick E. Perl

Do you want me to tell you something really subversive? Love is everything it’s cracked up to be. That’s why people are so cynical about it…It really is worth fighting for, being brave for, risking everything for. And the trouble is, if you don’t risk anything, you risk even more.

-Erica Jong

We’ve got this gift of love, but love is like a precious plant. You can’t just accept it and leave it in the cupboard or just think it’s going to get on by itself. You’ve got to keep on watering it. You’ve got to really look after it and nurture it”

-John Lennon

Love gives naught but itself and takes naught but from itself. Love possesses not nor would it be possessed; For love is sufficient unto love.

-Kahlil Gibran

Made up my mind to make a new start. Going to California with an aching in my heart. Someone told me there’s a girl out there with love in her eyes and flowers in her hair.

-Led Zeppelin

Carry on, love is coming. Love is coming to us all.

WE OWE IT ALL TO THE HIPPIES

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WE OWE IT ALL TO THE HIPPIES

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HISTORY

WE OWE IT ALL TO THE HIPPIES

Forget antiwar protests, Woodstock, even long hair.
The real legacy of the sixties generation is the computer revolution

BY STEWART BRAND

Newcomers to the Internet are often startled to discover themselves not so much in some soulless colony of technocrats as in a kind of cultural Brigadoon – a flowering remnant of the ’60s, when hippie communalism and libertarian politics formed the roots of the modern cyberrevolution. At the time, it all seemed dangerously anarchic (and still does to many), but the counterculture’s scorn for centralized authority provided the philosophical foundations of not only the leaderless Internet but also the entire personal-computer revolution.

We – the generation of the ’60s – were inspired by the “bards and hot-gospellers of technology,” as business historian Peter Drucker described media maven Marshall McLuhan and technophile Buckminster Fuller. And we bought enthusiastically into the exotic technologies of the day, such as Fuller’s geodesic domes and psychoactive drugs like LSD. We learned from them, but ultimately they turned out to be blind alleys. Most of our generation scorned computers as the embodiment of centralized control. But a tiny contingent – later called “hackers” – embraced computers and set about transforming them into tools of liberation. That turned out to be the true royal road to the future.

“Ask not what your country can do for you. Do it yourself,” we said, happily perverting J.F.K.’s Inaugural exhortation. Our ethic of self-reliance came partly from science fiction. We all read Robert Heinlein’s epic Stranger in a Strange Land as well as his libertarian screed-novel, The Moon Is a Harsh Mistress. Hippies and nerds alike reveled in Heinlein’s contempt for centralized authority. To this day, computer scientists and technicians are almost universally science-fiction fans. And ever since the 1950s, for reasons that are unclear to me, science fiction has been almost universally libertarian in outlook.

As Steven Levy chronicled in his 1984 book, Hackers: Heroes of the Computer Revolution, there were three generations of youthful computer programmers who deliberately led the rest of civilization away from centralized mainframe computers and their predominant sponsor, IBM. “The Hacker Ethic,” articulated by Levy, offered a distinctly countercultural set of tenets. Among them:

“Access to computers should be unlimited and total.”

“All information should be free.”

“Mistrust authority – promote decentralization.”

“You can create art and beauty on a computer.”

“Computers can change your life for the better.”

Nobody had written these down in manifestoes before; it was just the way hackers behaved and talked while shaping the leading edge of computer technology.

In the 1960s and early ’70s, the first generation of hackers emerged in university computer-science departments. They transformed mainframes into virtual personal computers, using a technique called time sharing that provided widespread access to computers. Then in the late ’70s, the second generation invented and manufactured the personal computer. These nonacademic hackers were hard-core counterculture types – like Steve Jobs, a Beatle-haired hippie who had dropped out of Reed College, and Steve Wozniak, a Hewlett-Packard engineer. Before their success with Apple, both Steves developed and sold “blue boxes,” outlaw devices for making free telephone calls. Their contemporary and early collaborator, Lee Felsenstein, who designed the first portable computer, known as the Osborne 1, was a New Left radical who wrote for the renowned underground paper the Berkeley Barb.

As they followed the mantra “Turn on, tune in and drop out,” college students of the ’60s also dropped academia’s traditional disdain for business. “Do your own thing” easily translated into “Start your own business.” Reviled by the broader social establishment, hippies found ready acceptance in the world of small business. They brought an honesty and a dedication to service that was attractive to vendors and customers alike. Success in business made them disinclined to “grow out of” their countercultural values, and it made a number of them wealthy and powerful at a young age.

The third generation of revolutionaries, the software hackers of the early ’80s, created the application, education and entertainment programs for personal computers. Typical was Mitch Kapor, a former transcendental-meditation teacher, who gave us the spreadsheet program Lotus 1-2-3, which ensured the success of IBM’s Apple-imitating PC. Like most computer pioneers, Kapor is still active. His Electronic Frontier Foundation, which he co-founded with a lyricist for the Grateful Dead, lobbies successfully in Washington for civil rights in cyberspace.

In the years since Levy’s book, a fourth generation of revolutionaries has come to power. Still abiding by the Hacker Ethic, these tens of thousands of netheads have created myriad computer bulletin boards and a nonhierarchical linking system called Usenet. At the same time, they have transformed the Defense Department-sponsored ARPAnet into what has become the global digital epidemic known as the Internet. The average age of today’s Internet users, who number in the tens of millions, is about 30 years. Just as personal computers transformed the ’80s, this latest generation knows that the Net is going to transform the ’90s. With the same ethic that has guided previous generations, today’s users are leading the way with tools created initially as “freeware” or “shareware,” available to anyone who wants them.

Of course, not everyone on the electronic frontier identifies with the countercultural roots of the ’60s. One would hardly call Nicholas Negroponte, the patrician head of M.I.T.’s Media Lab, or Microsoft magnate Bill Gates “hippies.” Yet creative forces continue to emanate from that period. Virtual reality – computerized sensory immersion – was named, largely inspired and partly equipped by Jaron Lanier, who grew up under a geodesic dome in New Mexico, once played clarinet in the New York City subway and still sports dreadlocks halfway down his back. The latest generation of supercomputers, utilizing massive parallel processing, was invented, developed and manufactured by Danny Hillis, a genial longhair who set out to build “a machine that could be proud of us.” Public-key encryption, which can ensure unbreakable privacy for anyone, is the brainchild of Whitfield Diffie, a lifelong peacenik and privacy advocate who declared in a recent interview, “I have always believed the thesis that one’s politics and the character of one’s intellectual work are inseparable.”

Our generation proved in cyberspace that where self-reliance leads, resilience follows, and where generosity leads, prosperity follows. If that dynamic continues, and everything so far suggests that it will, then the information age will bear the distinctive mark of the countercultural ’60s well into the new millennium.

Copyright 1995 Time Inc. All rights reserved.